Piano Lessons in William Penn Annex East, PA

Instruments: Piano Voice

I love seeing my students succeed! One of my favorite things about teaching is watching the students eyes light up when they achieve their current goal! To achieve this, I like to teach at the students own pace and with their chosen material. While it is very important to practice, I do not want to make music seem like a chore. By allowing the students to choose their own material, they are much more likely to self motivate! Read More

Instruments: Piano Guitar Saxophone Organ Double Bass Keyboard

I have also had experience as both a bandleader and producer, so I understand music both from the perspective of an educator as well as a performer. If you're looking for a teacher who has the right mix of PLAYING EXPERIENCE and TEACHING SKILL, do get in touch with me for a trial lesson today! Summary of accomplishments: Mentored by legendary Blue Note recording artist BIG JOHN PATTON, studied with Shirley Scott as well as many other Philly Jazz legends. Read More

Instruments: Piano Saxophone Flute Clarinet Keyboard

I am a passionate and professional teacher, performer, and composer on saxophone, flute, clarinet, and piano. After growing up in Seattle participating in many state and national musical events, I moved to Philadelphia to attend Temple University. I graduated with a Bachelor of Music degree in Jazz Saxophone Performance. I have had the chance of perform nationally as well as internationally, playing in venues like Seattle's Benaroya Hall and the Kennedy Center. Read More

Instruments: Piano

I began piano lessons with my mother at the age of 8. At 17 I began studies with Irma Harter at the Edith McIntosh School of Music on Long Island, New York. I earned her Bachelor's degree at Adelphi University, where I studied exclusively with acclaimed concert and recording artist David Bradshaw. I also studied with Laurie Ticehurst-Poole at the Bryn Mawr Conservatory from 1996 to 2005, where I participated in master classes. I have performed in recitals at Carnegie Hall's Weill Concert Hall, and I participated in an international piano festival. Read More

Instruments: Piano Drums Mallet Percussion Orchestral Percussion

I aim to make the student not feel judged. This creates an optimal learning experience, for Ifirmly believe that in order fortrue progress to be obtained, the student willmust notbe afraid to make mistakes. The correction of the mistake is the moment where the student learns exactly how something should be played, since there is somethingto compare it to.It is important that a student go through a stage of experimentation in order to intuitively arriveat an understanding of a concept. Read More

Instruments: Piano Saxophone Flute Clarinet

I vary my methods according to student level, age, and practice habits. For example, for the advanced high school student I often mold my teachings around college audition requirements and all-state, regional band auditions. Otherwise, particularly for younger styudents, I am not very performance oriented. I think it is more important to learn to "play" at music rather than plan and prepare for multiple recitals. Read More

Instruments: Piano Voice

Once I feel the student has a solid understanding of these fundamentals, I move onto introducing them to repertoire that I think would help in putting these newly learned fundamentals into use as well as allowing them to expand their knowledge on other important factors of singing such as diction, pronunciation, phrasing, keeping a legato line, and possibly language skills depending on the piece. Over time I may even have them bring in pieces they may be interested in and work with them on understanding how they can incorporate these fundamentals and newly learned skills into the music that they love. Read More