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Featured Violin Teachers Near NYC, New York

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Here are just a few of the many teachers offering Violin lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Khetiwe K

Instruments: Piano Voice Violin

So excited to be here and on this journey with you! I am a singer, violinist, pianist, and writer who is passionate about bringing vibrant music experiences. This passion has opened up doors for me to bring my talents to places such as Carnegie Hall, Lincoln Center, and The Stephen Colbert Show. I have had the opportunity to back up artists such as Andra Day and H.E.R. I have 2 spaces that I teach in, depending on the needs. Read More

Alyssa B

Instruments: Piano Violin Viola Music

My job is of upmost importance; to teach, but also to learn. As an educator I am responsible for encouraging growth and delivering material as efficiently as possible while maintaining a realistic sense of what is achievable. However, it is also my job to learn from the student and be able to adapt and grow to new situations. Not every student progresses at the same rate, but I keep my expectations and spirits high to push students to want to keep learning and working hard to accomplish their goals. Read More

Ron C

Instruments: Piano Guitar Voice Violin Cello Viola Bass Guitar Synthesizer Double Bass Music Keyboard Acoustic Guitar

I have been teaching privately since 1989, teaching piano and bass at 15 years old. Thirty years later I have become a multi-instrumentalist playing Violin, Viola, Cello, Double Bass, Electric Bass, Latin Baby Bass, guitar, piano, synthesizer, keyboard and voice. I have a vast knowledge of classical and modern works and am comfortable transcribing modern compositions for my students. Music is my life and I teach with an infections optimism for all things music. Read More

Austin A

Instruments: Violin Viola Piano Voice

My teaching style is strongly based on the constructivist method of learning. What that means is I prefer to help students by means of demonstrating skills( Left/ right-hand technique, excerpts from music, etc.), to scaffold their learning, and to help them overcome challenges by means of critical thinking and problem-solving. Setting practice goals and also keeping a practice journal is an effective way to keep students on track with their playing development. Read More

Alyssa M

Instruments: Violin Viola Electric Violin Fiddle Acoustic Guitar

I love to begin with the Suzuki method but is all dependent upon each individual student and their learning style! My initial priority is to make sure student's understand the fundamentals of violin technique. Along with technique is extensive ear training. This will lead to flexibility such as being able to improvise in a vast amount of genres. This fosters a long and engaging relationship with music and the violin. Read More

Ethan S

Instruments: Guitar Violin Fiddle Music Electric Guitar Acoustic Guitar

As a teacher I like to be very encouraging, gentle, and supportive. I make sure to encourage with positive reinforcement. When a child gets something right, I praise the accomplishment. If they fall short, I compliment them on something that well, and then add something along the lines of, "That was amazing, let's do that same thing only this time ______". I also encourage any students, young and old, to do some searching for material on their own to practice learning new skills. Read More

Spencer R

Instruments: Piano Guitar Violin Cello Viola

I don't have a singular method because every student is different. At the beginning of my lessons with a new student we will begin getting to know each other. Then we try different things. Some students are naturals at imitating what they hear, so we play to those strengths. Other students are more comfortable with structure and math, so we take that route instead. What I find most important is being flexible. Read More

Teacher In Spotlight

Peter B

Instruments: Piano Violin Cello Viola Bass Guitar Organ Accordion Ukulele Double Bass Keyboard

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
It was a gradual decision. At first, I wanted to be a performer, and I was was for a while. I was also helping my less experienced fellows performers and realized I really liked teaching and helping others.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I started on Piano. Then three years into my studies I decided to pick up cello. My cello teacher asked me if I'd like to try upright bass. For a while I did all three: piano, cello and upright. I decided to try viola and with a little help from my older colleagues I was able to learn.

What is your favorite style/genre of music to play and why?
I grew up listening pop, blues and jazz. Then my uncle introduced me to classical music. I remember he played Rossini's Overtures for me on his old turntable and I loved it. I was only 14 when I bought my first classical LP - Mozart's Symphony No. 40

If you weren't a musician what do you think you'd be doing instead?
Most likely I'd be an electronic engineer. I always had a passion for electronics, fixing radios, tape players, amplifiers. Even today I may pick up a broken vintage amplifier at the yard sale and then spend some time identifying a problem and fixing it.

Does music run in your family? Tell us a little about your musical family members.
My grandparents were grade school teachers and were required to play an instrument and teach music. My first musical instructions came from my grandmother at the age of 6.

What is your dream piece to perform and why?
For my final piano exam I performed Beethoven's "Pathetique" Sonata. It was a tough piece, it took me over three months to master it. I always wanted to play it because it was a hallmark of Beethoven's piano work, turmoulious yet beautiful.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I come from the family of teachers and educators. At first, I wanted to be a performer, and I was was for a while. I was also helping my less experienced fellows performers and realized I really liked teaching and helping others. That was a main reason I decided to pursue a degree in music education.

What does a normal practice session look like for you?
Every piece has a difficult part, or parts. It's important to practice and solve one difficult part at the time before moving forward. Even if a student solves one problem in a single practice session, it is considered a success

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I never use a single method book. It's important to have the variety of pieces to play, some for fun, some for technique development. For absolute beginners I usually start with Suzuki and Thompson method, then expand it to classics such as Beyer, Gurlitt, Mozart and others. Also, light jazz, pop and show songs are included for students who express the desire to play such pieces

Did you have a teacher that inspired you to go into music? How did they inspire you?
I come form a family of teachers and educators. My grandparents taught me the basic piano. After the initial struggle, I decided I want to become either a professional player, or music teacher.

When will I start to see results?
If child is taught structured and gradual material, the first results can usually be seen after couple of months. It's highy individual. Some kids advance faster than others.

What advice do you have about practicing effectively?
Practice every day. Even if it's only 15 minutes, practice. Never skip a day.

How do I know if my child is ready to start lessons?
If your child shows interests in musical instruments, maybe it's time to give it a try. From my experience, most children ask their parents if they can start learning the instrument.

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Recent Articles from the Musika Blog

“Wake Me Up” - Avicii

...4-bar section; A 2-measure chord riff that’s repeated. The progression is Bm–G–D–A with each chord receiving two beats. Verse: 16-bar section; A 2-measure chord riff that’s repeated. The progression is Bm–G–D. Chorus: 16-bar section; Same as the Intro played four times. Outro: 8-bar section; Same as the Chorus followed by a Bm–G vamp.   Once you become familiar with chord charts, you’ll never want to go back. It’s just easier to see where you’re going when you have a map. And, it’s especially helpful when you’re not familiar with the song or there’s a section of the song that you don’t... Read More

How To Practice Piano with Correct Technique

...let’s show you what fingers you should use to build some simple major and minor scales on the piano. If we learn how to play an easy C major scale with the correct fingerings, this finger pattern can be used for many other piano scales. We’ve covered some great exercise options for playing in unison, but scales are great tools to build and develop independence between your hands. The fingerings we’re about to show you can be used for playing major and minor scales in the keys of C, G, D, A, and E.   Simple Major and Minor Scale ... Read More

Viva la Vida Chords for Beginner Guitar (Coldplay)

...that will help you learn the tune faster while giving you some ideas for how to approach performing it. I provided some useful links above and I’ll take you through the Viva la Vida chords, accompaniment patterns, song form and a chord chart. Everything you need to get started playing this tune.   Viva la Vida Chords   Chords C D G Em Progression i II V vi     “Viva La Vida” is a pop tune that is built around layers of piano and an ostinato pattern played by a string section. This means that we need to be creative in regards to ... Read More

Rhythm Guitar vs Lead Guitar

...is a good example of a lead guitar part that shifts into a rhythm because it starts out with a harmonized riff and ends with chords.     Where You Fit In   You might be asking yourself, “What kind of guitar player should I be?” right now and weighing your options of rhythm guitar vs lead guitar. There are benefits and challenges that come with playing in rhythm and lead guitar styles, and there’s no reason why a student couldn’t learn how to play in both styles. Typically, young students veer toward learning flashier lead guitar parts, but this leaves them at risk ... Read More

Types of Flutes: The Modern Flute Family

...was also often used to decorate the melody using ornamentation.   Today, piccolo is used regularly in orchestral scores and opera. The piccolo can add brilliance to a march, or imitate the sound of birds, as in Johann Strauss’s Die Fledermaus. High, sharp sounds from the piccolo are used to represent sparks during a storm, and softer tones from the piccolo in unison with the flute can create a feeling of tranquility. -Excerpt from Johann Strauss’s Die Fledermaus The piccolo often has a bad reputation because it can sound shrill. It is also more difficult to play than the other types of flutes, especially in ... Read More
“Wake Me Up” - Avicii
How To Practice Piano with Correct Technique
Viva la Vida Chords for Beginner Guitar (Coldplay)
Rhythm Guitar vs Lead Guitar
Types of Flutes: The Modern Flute Family

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