Violin Lessons in Roseville, MI

Instruments: Violin

For beginning students who are children, I start with Essential Method Book for Strings. Once the students has progressed more, I use Suzuki Method books, and also, choose (introduce) solo pieces for recital performance. For adults, I find out what the student is interested in and find the book that fits their interest (and guide my instruction accordingly to engage them). Easy pop melodies book or other genres violin sheets will be also fun, no matter their ability level. Read More

Instruments: Piano Violin Cello Viola Fiddle Music Keyboard

I firmly believe that students are best served when their teacher knows and cares about them. This attitude toward teaching helps me to tailor instruction to students' needs rather than following a prescriptive method. I usually begin lessons with a brief, informal conversation where we discuss the student's week and talk about things that are important to them. A strong and appropriate student-teacher relationship is the bedrock for successful goal-setting, accountability, and, of course, fun in private lessons! Read More

Instruments: Violin Viola

After graduating high school I relocated to the Austin, Texas area. I have performed as a section violinist with Round Rock Symphony, Victoria Symphony, Temple Symphony, Laredo Philharmonic, Austin Civic Orchestra, and Gilbert and Sullivan Austin. From 2014 to 2015, I was a violinist of the Modus Novus String Quartet, a new music ensemble formed with graduates of the Berklee College of Music. Other notable performances include performing as a member of Jeff Williams Freelance Orchestra and alongside Video Game Orchestra at RTX 2015 and 2016 that included songs from Rooster Teeths hit web series Red Vs. Read More

Instruments: Piano Guitar Violin Double Bass

I generally use Alfred for piano, both the children's and adult's versions. I use Hal Leonard for guitar. For both violin and double bass, I generally use either Belwin or Essential Elements. However, some students prefer to not use a method book at all and that is fine. Also, some have different method books they like, which is also fine. Read More

Instruments: Piano Guitar Voice Violin Viola Ukulele Electric Violin Fiddle

I teach beginning students both by rote and through reading. We use standard Suzuki books for repertoire and method books such as Wohlfahrt, Mazaz, and Sevcik. Very young students begin on Sassmanshaus since it is very engaging as well as well written. However if there is a specific book a student wants to learn from (such as a book from school or a specific style such as country or fiddle) then I am more than willing to teach from that. Read More

Instruments: Violin Music

Though I will use basic materials to give students the knowledge necessary to begin, I believe it is important to allow students to play things themselves, to make mistakes because that is how we learn. My goal is to teach people music not to show them, meaning I provide the framework for a student's improvement so the student themselves can finish building the way they want to. Every student learns differently and I can effectively adapt to different paces at which students learn. supporting and acknowledging a student's progress is key. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

Having at least some goal in mind and working towards that musical goal will help a student achieve success in whatever they put forth on their instrument of choice as well as music as a whole. It will be ultimately extremely satisfying to express feelings through the notes as we take them from on the page to in the air. Sharing this joy of music will be also undeniably rewarding from student to student as well as performer to audience. Read More