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Featured Voice Teachers Near Aurora, IL

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Here are just a few of the many teachers offering Voice lessons in Aurora . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Katelyn A

Instruments: Piano Voice Violin Clarinet Ukulele Recorder Fiddle

Communicating well as a music educator is vital for success; it is the way you communicate that reaches the students. Not every student that is in a classroom is the same; each one is unique and has their own special needs. To reach some students, it can sometimes mean trying a different kind of communication that you do not usually use. Being firmly rooted in my personal practice and purpose helps students find theirs as well. Read More

Daniel W

Instruments: Voice Music

I'm an upbeat instructor who loves helping young singers realize their own potential. I pride myself on teaching not only the HOW but also the WHY technique works. No matter what the style the singer wants to perform, I firmly believe a solid base in classical technique can be transferred to any style. I have performed with multiple symphonic choirs and also had the chance to sing backup for Madonna at the Super Bowl in Indianapolis. Read More

Peter A

Instruments: Piano Voice Trumpet Trombone Euphonium Tuba Music Keyboard

I want my students to find enjoyment and purpose from making music first and foremost. Every student has a unique set of skills, and not every student learns the same way. I believe that something valuable can be learned from any single piece of music. Etude books, like Voxman's Selected Studies, and Rochut's Melodious Etudes are my go to for daily practice, but are not the only option available. I like to take a pragmatic approach to teaching, and will modify any exercises and routines as needed to get the best result from each student. Read More

Molly M

Instruments: Voice

I started teaching voice while at Millikin University. My first job teaching upon graduating was at the Schaumburg Academy of Music, where I taught children through adults. Other schools I taught at include Dancenter North in Libertyville, and Montessori of Hoffman Estates. While residing in the Bay Area, I grew my online studio as well as taught at Sterling West and at the non profit Boldly Me! I LOVE teaching every variety of music imaginable, from opera to hard rock. Read More

Rudolph T

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Clarinet Bass Guitar Synthesizer French Horn

As a composer and multi-instrumentalist, I have put myself in a position that brings me across an extremely wide and dense variety of music that I've been only too happy to explore. In addition to my long-running classical training with piano, clarinet and composition, I've explored jazz, world, rock, fusion, electronic and avant-garde music through the acquisition of my composition degree and through extensive research and self-teaching with saxophone and guitar. Read More

Jay M

Instruments: Guitar Voice Trumpet

I have been singing since I was 6, playing trumpet since I was 10, and I picked up guitar in my early 20's. I am now 49 and have taught voice, guitar, trumpet for over 7 years from my cozy home. I have been part of many musical ensembles (in many genres) in my 30 year career and have session work that's currently located in the Seattle Rock Roll museum. I have performed in varying capacities over 2,000 times in my career, and my emphasis is to help musicians prepare for live performances. Read More

Peter B

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Bass Guitar Ukulele Recorder Euphonium French Horn Tuba Electric Guitar Djembe

I developed my skills as a result of my upbringing. My mother was a teacher who specialized in encouraging me to live up to my most cherished dreams. Music was a good enough fit for me that I studied, performed, and taught for many years. Now, after fifteen years, I seek to go back to teaching private lessons - which will work better with a more seasoned perspective. No matter what else you want out of life, you chose music. Read More

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Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Aurora to students of all ages and abilities.

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Recent Articles from the Musika Blog

Cadences

...within music history. An Authentic Cadence features a leading tone that gets resolved back to the tonic, but the Plagal Cadence lacks that quality, and yet is and was widely used to punctuate chord progressions and endings of pieces.   A Deceptive Cadence gets its moniker from the fact that the listener’s expectations are set up so that they are used to hearing the V resolve to a I, but that doesn’t happen here. Instead, a vi chord (the relative minor to the tonic) is played in the I’s place. These cadences are known as being the most irregular ones in music. In the Classical... Read More

Hey Soul Sister Chords for Acoustic Guitar (Train)

...started playing this tune.   Chords   Chords w/ Capo C G Am F Actual Key E B C#m A Progression I V vi IV     Hey, Soul Sister is the key of C. However, by adding a capo to the 4th fret, we can use open-position chords that will make it easier to play. The capo at the 4th fret changes the key to C which will be more comfortable than the actual E key for guitar players. We’ll be playing the Hey Soul Sister chords in the key of E but thinking in the key of C. And, ... Read More

Parts of an Opera: A Quick Beginner's Guide

...and artistry, not to mention virtuosity. For practicality’s sake, major plot points and dialogue were left to the recitative (that’s not to say that recitative isn’t artistic or difficult to sing well!). Regarding form, an aria would usually follow the recitative, a practice that has continued throughout much of opera’s history.   The Two Main Types of Recitative   Recitative falls into two sub categories: Recitativo Secco and Recitativo Stromentato   We’ll start with Recitativo Secco, which literally means “dry recitative.” No, it has nothing to do with white wine–it has everything to do with the amount of instrumental accompaniment ... Read More

I’m Yours Chords Tutorial (Jason Mraz)

...a down strum The “chicka” is the higher part of the chord also played with alternating strums (down then up) Down strum on “chick” and the up strum on “a”   There’s a boom-chick technique that is the basic version of the boom-chicka. And, the boom-chick only uses down strums: bass-chord, bass-chord- or, boom-chick, boom-chick.   When hitting the bass (boom), you aim for the lower part of the chord (or the bottom three strings). Then, for the chord (chick), aim for the higher three strings.   Also, you don’t need to strum too hard. Brush the strings and try to recreate that ... Read More

Saxophone Reed Strength

...There are short-term options, if you need a reed to perform well immediately, and there are long-term strategies, which are ultimately more effective. If you need a soft reed to play better, you can try pushing the reed up on the mouthpiece, so that the reed extends slightly past the tip of the mouthpiece. This will make the reed feel a little thicker. Conversely, if you need a hard reed to play better, you can lower the reed on the mouthpiece so part of the tip of the mouthpiece is visible. You can also move the tip of the reed side to side, if one ... Read More
Cadences
Hey Soul Sister Chords for Acoustic Guitar (Train)
Parts of an Opera: A Quick Beginner's Guide
I’m Yours Chords Tutorial (Jason Mraz)
Saxophone Reed Strength

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