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25 Years
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Teachers in Network
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Here are just a few of the many teachers offering Voice lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice
Learning outcomes in my teaching are both practical, in terms of healthy and expressive vocal production and encouraging students to “have a voice” in their own lives, in the studio and on the stage as well. Through physical practice and by the information of various other forms of voice and bodywork, I guide students toward increased physical self-awareness, freedom of breath, relief from tension, and ease of production of healthy singing from the heart. Read More
Instruments: Voice
I enjoy sharing my love for music with my students. Over the years, I have traveled to different parts of the world performing and participating in a variety of activities. For me, music is not just a career, it's my life. It is a form of de-stressing, a moment away from the busy city life. When I teach, I like to share those same ideas with my students so that they may understand, that although there is discipline and responsibility involved in learning an instrument, the principal goal is to enjoy the process and the results. Read More
Instruments: Voice
I would want nothing more than for kids to be excited and determined when beginning every class with me, which is why I wanna keep things fun and energizing always! Especially teaching online mostly, I know how easy it can to stay unfocused or disengage, which is why the material we cover will always be catered to what the student feels comfortable with while also being challenging enough for their skill level at the moment. Read More
Instruments: Piano Voice
I always like to give the opportunity to the students to work on the material that they are more interested in. If the lesson is with a beginning student I work mostly on technique and when I feel the student is ready we move on to repertoire. In general, I start with a good warm up where students can record it on their devices so they can use it at home as well. Read More
Instruments: Voice
My teaching experience is grounded in my performance experience. How can you have one without the other? I have performed in more than 28 roles including Falstaff in Otto Nicolai’s The Merry Wives of Windsor, Germont in La Traviata, Valentin in Faust, Belcore in L’elisir d’amore, Schaunard in La Bohème, Wolfram in Tannhäuser, Malatesta in Don Pasquale, Figaro in Le Nozze di Figaro, Silvio in I Pagliacci, Alfio in Cavalleria Rusticana and Sharpless in Madama Butterfly. Read More
Instruments: Piano Voice
I've been teaching voice and piano for about 6 years. II have worked as the Youth Choir Director at churches in Indiana, Kansas, and New York. Read More
Instruments: Voice
All of my students work on tried and true Bel Canto and Swedish techniques. I will give each student special vocal exercises to work on at home. I generally assign songs from The 24 Italian Songs and Arias songbook and I use Musical Theater Anthologies. Some of my more advanced High School students work on Opera arias. Read More
Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music
What is your dream piece to perform and why?
Khachaturian Flute Concerto. Beautiful phrases, virtuosic sections, and DRAMA. What else could you ask for?
If you weren't a musician what do you think you'd be doing instead?
I would be a chef! In both instances we are serving others, and working as a unit to produce a greta product for others to enjoy!
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
This was a gradual decision which for me started in High School and I made the decision to dedicate myself to the craft, sacrifice a lot of my time, and be open to learning and being humbled by those around me- by pedagogues and performers alike.
Why did you choose your primary instrument?
My Elementary School PS165 took trips to Avery Fisher Hall and listen to the New York Philharmonic rehearse Peter & The Wolf. I was in the 3rd grade at the time so the only reason I liked the flute was because it was shiny, loud, and got all of the attention playing melody and in the center of the orchestra. I could hear the beautiful ringing melodies, the conversations had in between sections through the music, and how musicians/ conductors tackled difference of opinions in artistic approach, standard performance practice, what is historically accurate in terms of style, intonation, phrasing etcetc.
There was so much to be said about something that requires no talking to make happen.
Have any of your students won awards or been selected for special honors? How have they succeeded?
Numerous students within my studio have won concerto competitions, orchestra seats, and chosen for masterclasses with known flutists from the New York Pops.
What musical accomplishments are you most proud of?
Going on tour with Nyack College to Asia in order to perform chamber music and going again a few years later as an Artistic Director where I would then oversee rehearsals, deal with logistics, and perform as a soloist internationally and get to give a Masterclass in Hong Kong!
What advice do you have about practicing effectively?
Practicing is just as much of an art-form as getting on stage with bright lights and playing your heart out! Go out and purchase a metronome! THAT is your best friend, and it never fails. Set a "Number Goal" for yourself and turn it into a game! Play something slowly 5 or 10 times, if you are able to play it correctly crank up the metronome 1-2 clicks. Set that same number again, if you mess up before getting to that number then go back to the previous tempo. Challenge yourself to memorize tricky passages as well. Take a tricky 8 or 12 measure section and memorize the first 2 measures to start off. Play it 10 times, then turn the stand and play it 5 times by memory- keep doing this and you will see how easily you can execute those tricky measures. Why? Well memorizing music is a greater challenge then reading that same passage which is now in front of you! So when its time to play it you can focus less on notes and nerves, and more on musical phrasing and air support!
How do I know if my child is ready to start lessons?
They should demonstrate a natural curiosity for music. Do they ask questions when they hear classical music? Do they react when they hear someone sing? Will they clap or dance on beat to music on the radio? Have they expressed an interest for a specific instrument? Another key factor is age/instrument.
A child who is very active might find something like the drums or percussive instruments more appealing then say the piano or violin which requires less movement to execute sound.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in NYC, New York to students of all ages and abilities.
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