212-625-1520
Musika Quick Stats
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
- Have questions? Check out our
- FAQ
- CONTACT US
-
![call-icon]()
212-625-1520
Lesson Special - Up to 20% OFF! Get Started Now with a Risk-Free Trial!
Here are just a few of the many teachers offering Voice lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Voice
As natural as a singing voice can be it still takes effort and hard work to maintain your sound or keep yourself relevant. I self taught myself a lot. Through this self teaching I was able to help others go through the same process a little easier. I spent hours if not shut ins (days of just soaking and singing) editing and correcting my tone. Developing and finding your voice (confidence in yourself), knowing your sound/ style, and finally finding your rhythm to where even if there is no beat you can become one and be the beat is the basics before any singer can bloom. Read More
Instruments: Piano Voice Keyboard
I believe in acquiring a global understanding through a multiplicity of styles. Jazz and classical are my points of departure and then I incorporate different material as you develop your skills. I have several method books that I use including "Mastering Piano Technique", "Manual of Scales and Arpeggios", "The Jazz Theory Book" and "Harmony and Theory" by Keith Wyatt to name a few. For vocalists, I develop your sound to a point where we can do a full basic assessment of skills that we can build off of so we have a clear direction of where we are going. Read More
Instruments: Voice
I would begin each lesson with a vocal warmup so that I can see where their tone is placed and if they are an alto/soprano/tenor/etc. I would ask what genres they are interested in or what types of music they like. If they have a song they'd want to learn, we would practice that song and work on technique so that they can perform it in a healthy and confident way. Read More
Instruments: Voice
I never teach two people exactly the same way, because each singer is unique. Each singer has an individual set of physical, mental, and emotional characteristics. My goal as a teacher is to address each of these three categories, allowing my singers to grow in each of them. I will tailor my instruction to meet the needs of my students, to draw from their own experiences, and to use analogies and examples from the things they know and love. Read More
Instruments: Piano Voice Drums
For young students, I would usually start them off using Bastien Piano Basics. It's very digestible, and gives a good starting-off point for both technical playing, and larger musical concepts as a whole. With a student who is older or perhaps more advanced, who has a solid grasp on technical proficiency and music theory, I would typically recommend studying specific pieces, starting with Classical, and eventually moving into Jazz. I feel that following a chronological study of music is one of the best ways to become a well-rounded, versatile player who feels comfortable approaching any material. Read More
Instruments: Piano Voice
My piano students generally start with Faber Piano Adventures. I assign them solo repertoire as they progress through each level in preparation for a recital performance. For the more advanced students, I introduce the fundamentals of playing jazz piano as well. I have my voice students sing through repertoire in the styles of their choice in order to have a better understanding of how their unique voice functions. While working on repertoire, I instill habits of healthy breathing and vocal production. Read More
Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music
What is your dream piece to perform and why?
Khachaturian Flute Concerto. Beautiful phrases, virtuosic sections, and DRAMA. What else could you ask for?
If you weren't a musician what do you think you'd be doing instead?
I would be a chef! In both instances we are serving others, and working as a unit to produce a greta product for others to enjoy!
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
This was a gradual decision which for me started in High School and I made the decision to dedicate myself to the craft, sacrifice a lot of my time, and be open to learning and being humbled by those around me- by pedagogues and performers alike.
Why did you choose your primary instrument?
My Elementary School PS165 took trips to Avery Fisher Hall and listen to the New York Philharmonic rehearse Peter & The Wolf. I was in the 3rd grade at the time so the only reason I liked the flute was because it was shiny, loud, and got all of the attention playing melody and in the center of the orchestra. I could hear the beautiful ringing melodies, the conversations had in between sections through the music, and how musicians/ conductors tackled difference of opinions in artistic approach, standard performance practice, what is historically accurate in terms of style, intonation, phrasing etcetc.
There was so much to be said about something that requires no talking to make happen.
Have any of your students won awards or been selected for special honors? How have they succeeded?
Numerous students within my studio have won concerto competitions, orchestra seats, and chosen for masterclasses with known flutists from the New York Pops.
What musical accomplishments are you most proud of?
Going on tour with Nyack College to Asia in order to perform chamber music and going again a few years later as an Artistic Director where I would then oversee rehearsals, deal with logistics, and perform as a soloist internationally and get to give a Masterclass in Hong Kong!
What advice do you have about practicing effectively?
Practicing is just as much of an art-form as getting on stage with bright lights and playing your heart out! Go out and purchase a metronome! THAT is your best friend, and it never fails. Set a "Number Goal" for yourself and turn it into a game! Play something slowly 5 or 10 times, if you are able to play it correctly crank up the metronome 1-2 clicks. Set that same number again, if you mess up before getting to that number then go back to the previous tempo. Challenge yourself to memorize tricky passages as well. Take a tricky 8 or 12 measure section and memorize the first 2 measures to start off. Play it 10 times, then turn the stand and play it 5 times by memory- keep doing this and you will see how easily you can execute those tricky measures. Why? Well memorizing music is a greater challenge then reading that same passage which is now in front of you! So when its time to play it you can focus less on notes and nerves, and more on musical phrasing and air support!
How do I know if my child is ready to start lessons?
They should demonstrate a natural curiosity for music. Do they ask questions when they hear classical music? Do they react when they hear someone sing? Will they clap or dance on beat to music on the radio? Have they expressed an interest for a specific instrument? Another key factor is age/instrument.
A child who is very active might find something like the drums or percussive instruments more appealing then say the piano or violin which requires less movement to execute sound.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in NYC, New York to students of all ages and abilities.
We'll then reach out to the teachers for you.
Schedule the risk-free trial lesson directly with the teacher.
Continue with that teacher or try someone else.
