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Featured Voice Teachers Near NYC, New York

4330   5 STAR Musika Reviews

Here are just a few of the many teachers offering Voice lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kristin S

Instruments: Voice

For most students, I typically start with breathing exercises and warm ups to learn the student's voice. I would ask for the student to prepare a song of their choice and we would typically spend a few lessons learning the fundamentals and engaging in proper technique. I like to make learning fun, so there are a few exercises that I have up my sleeve that are engaging and fun, no matter what the student's ability level may be. Read More

Marco P

Instruments: Voice

My name is Marco, Im a singer, songwriter, and voice teacher. I attended Berklee College of Music, and worked as a performer and teacher in different schools. Ive been a professional musician for 15 years now, and Ive been teaching for 10 years. I won national competitions in Italy, performed nationally and internationally in many venues and festivals. I participated to the first season of the italian edition of the X-Factor. Im originally from Italy, and Im fluent in English, Italian, Spanish, and Portuguese. Read More

Linda C

Instruments: Piano Voice Music

For my piano students, I like to use a mixture of books from the Alfred, Bastien, and John W. Schaum collections. I eventually assign more advanced solo repertoire as the student progresses. For my vocal students, I pick music based on their interests and vocal qualities. I have taught my students musical theater, opera, art song, gospel, pop, and many other styles throughout the years. I also like to make sure my students have a solid understanding in music theory and often give out worksheets that help them practice how to sight read, recognize different key signatures, and more. Read More

Vivi H

Instruments: Piano Voice Flute Keyboard

I'm a passionate and motivated instructor who loves working with students and sharing my love of music. In 2017, I graduated from Queens College with a Master of Music degree in Jazz Performance(Voice). Performing all over the world has been one of the greater experiences of my life as a musician, and I've had the opportunity to play at Asian American Pacific Islander Heritage Festival, Museum of Chinese in America, Flushing Town Hall, Queens Library in New York, as well as touring China as several performances as the singer/band leader with Vivi H. Read More

Robert S

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe Acoustic Guitar

Before that, I was employed by New York Edge (formerly Sports And Arts In Schools Foundation) as a Teaching Artist/Mentor. I was placed in an Alternative High School in Manhattan called City As High School where I worked with students aged 16-21. Specifically, I worked with a program within the school called MAD (Music, Art, and Design) Academy. In this program, I mentored an incredibly creative and diverse group of young artists as they pursued careers in the arts. Read More

Matthew M

Instruments: Piano Voice

I have taught many students over the years, and much of my experience has taken place in a real world rehearsal room environment. With well over 100 productions under my belt I've worked with casts on learning music and shaping songs. As a still working professional this experience makes me highly suited to adjust and respond to every students needs, and meet them where they are in their development. Through crafting 1,000's of performances I can bring you real world application that will best prepare you to find the confidence you need to perform, whether as a hobby or professionally. Read More

Teacher In Spotlight

Luis D

Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music

What is your dream piece to perform and why?
Khachaturian Flute Concerto. Beautiful phrases, virtuosic sections, and DRAMA. What else could you ask for?

If you weren't a musician what do you think you'd be doing instead?
I would be a chef! In both instances we are serving others, and working as a unit to produce a greta product for others to enjoy!

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
This was a gradual decision which for me started in High School and I made the decision to dedicate myself to the craft, sacrifice a lot of my time, and be open to learning and being humbled by those around me- by pedagogues and performers alike.

Why did you choose your primary instrument?
My Elementary School PS165 took trips to Avery Fisher Hall and listen to the New York Philharmonic rehearse Peter & The Wolf. I was in the 3rd grade at the time so the only reason I liked the flute was because it was shiny, loud, and got all of the attention playing melody and in the center of the orchestra. I could hear the beautiful ringing melodies, the conversations had in between sections through the music, and how musicians/ conductors tackled difference of opinions in artistic approach, standard performance practice, what is historically accurate in terms of style, intonation, phrasing etcetc. There was so much to be said about something that requires no talking to make happen.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Numerous students within my studio have won concerto competitions, orchestra seats, and chosen for masterclasses with known flutists from the New York Pops.

What musical accomplishments are you most proud of?
Going on tour with Nyack College to Asia in order to perform chamber music and going again a few years later as an Artistic Director where I would then oversee rehearsals, deal with logistics, and perform as a soloist internationally and get to give a Masterclass in Hong Kong!

What advice do you have about practicing effectively?
Practicing is just as much of an art-form as getting on stage with bright lights and playing your heart out! Go out and purchase a metronome! THAT is your best friend, and it never fails. Set a "Number Goal" for yourself and turn it into a game! Play something slowly 5 or 10 times, if you are able to play it correctly crank up the metronome 1-2 clicks. Set that same number again, if you mess up before getting to that number then go back to the previous tempo. Challenge yourself to memorize tricky passages as well. Take a tricky 8 or 12 measure section and memorize the first 2 measures to start off. Play it 10 times, then turn the stand and play it 5 times by memory- keep doing this and you will see how easily you can execute those tricky measures. Why? Well memorizing music is a greater challenge then reading that same passage which is now in front of you! So when its time to play it you can focus less on notes and nerves, and more on musical phrasing and air support!

How do I know if my child is ready to start lessons?
They should demonstrate a natural curiosity for music. Do they ask questions when they hear classical music? Do they react when they hear someone sing? Will they clap or dance on beat to music on the radio? Have they expressed an interest for a specific instrument? Another key factor is age/instrument. A child who is very active might find something like the drums or percussive instruments more appealing then say the piano or violin which requires less movement to execute sound.

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...elements into piano lessons. Some students may be too young to pursue rigorous vocal training. Others prefer to pursue piano over vocal training. Many musicians vocalize as they play which can offer further opportunities for musical expression and understanding with their whole selves. Singing, tapping, humming, and stomping are all part of the variety of ways one can explore further expression while playing the piano.   3. Pianists explore melody, harmony, and accompaniment. By reading two lines of music simultaneously, students gain an appreciation for the way that musical elements fit together cooperatively. This diversity allows students to explore music theory and experience the variety of ways an instrument can traverse a composition and interact with additional instrumentation.   4. Students develop focus, dexterity, and emotional understanding. Expressive outlets, ... Read More
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Saxophone Reed Strength
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