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25 Years
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Here are just a few of the many teachers offering Voice lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Voice
I am an enthusiastic and dedicated instructor who is excited to share my passion of singing with my students. I graduated from the Royal College of Music with a Master of Performance in Voice and I also hold a Bachelor Degree in Music from Northwestern University where I studied voice, musicology, and lyric languages. I have an extensive performance experience and have performed in Europe, Asia, and North and South America. Read More
Instruments: Voice
Following this, we'll engage in some singing with scale degrees (numbers) i.e. 1, 1-2-1, 1-2-3-2-1 etc. It's another fun way to work on aural skills. I'll then proceed to take them through some basic foundation building technical scales and repertoire. For Intermediate students, the breathing and technical work is more advanced, I include aural studies like intervals signing and recognition and perhaps modes of major scale then we'll sing through their chosen repertoire. Read More
Instruments: Piano Voice Organ Synthesizer Keyboard
I am a Pop Keyboardist, Songwriter/Producer, and Composer, who has toured with two bands, and done plenty of gigs with solo artists. I recently graduated from the University of Miami's Frost School of Music, where I studied contemporary piano, and I have had the pleasure to play with student musicians at the GroundUP Music Festival, Okeechobee Music Fest, SoFar Sounds, WLRN Radio, and Adrienne Arsht Center, performing with Il Volo, Michael McDonald, GRiZ, Eric Krasno, members of Snarky Puppy and Vulfpeck, Gallant, Lawrence, Becca Stevens, and Darmon Meader. Read More
Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe Acoustic Guitar
I am an intuitive teacher: I have learned how to observe my students, their moods, their energy levels, and adjust my lesson plan on the fly. For instance, one student has ADHD, which I manage by injecting exciting new rhythms for him to mimic when I see his attention wander. I then harness that renewed focus towards the original goal of the lesson, whether it’s learning a new time signature or a complex cross-rhythm. Read More
Instruments: Piano Voice
I like to encourage to all my students to practice technique every day because consider that it will give them flexibility with the instrument. Also, I will stimulate them to find out the beauty, complexity and the appropriate interpretation of the repertoire that they are playing. The repertoire depends of student's level and their desire of improve. When I teach children I like to develop games during the lesson so they can have and learn at the same time. Read More
Instruments: Voice Music
Learning. It has to be fun. Case in point: I usually select repertoire’ that is conducive to the students learning but often out of their safety zone. The student usually responds quite favorably to new genre’, but if they don’t, we move on to another song that won’t just help them learn, but will be fun or enjoyable for them to learn. Enjoy the process and the learning will happen organically. Read More
Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music
What is your dream piece to perform and why?
Khachaturian Flute Concerto. Beautiful phrases, virtuosic sections, and DRAMA. What else could you ask for?
If you weren't a musician what do you think you'd be doing instead?
I would be a chef! In both instances we are serving others, and working as a unit to produce a greta product for others to enjoy!
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
This was a gradual decision which for me started in High School and I made the decision to dedicate myself to the craft, sacrifice a lot of my time, and be open to learning and being humbled by those around me- by pedagogues and performers alike.
Why did you choose your primary instrument?
My Elementary School PS165 took trips to Avery Fisher Hall and listen to the New York Philharmonic rehearse Peter & The Wolf. I was in the 3rd grade at the time so the only reason I liked the flute was because it was shiny, loud, and got all of the attention playing melody and in the center of the orchestra. I could hear the beautiful ringing melodies, the conversations had in between sections through the music, and how musicians/ conductors tackled difference of opinions in artistic approach, standard performance practice, what is historically accurate in terms of style, intonation, phrasing etcetc.
There was so much to be said about something that requires no talking to make happen.
Have any of your students won awards or been selected for special honors? How have they succeeded?
Numerous students within my studio have won concerto competitions, orchestra seats, and chosen for masterclasses with known flutists from the New York Pops.
What musical accomplishments are you most proud of?
Going on tour with Nyack College to Asia in order to perform chamber music and going again a few years later as an Artistic Director where I would then oversee rehearsals, deal with logistics, and perform as a soloist internationally and get to give a Masterclass in Hong Kong!
What advice do you have about practicing effectively?
Practicing is just as much of an art-form as getting on stage with bright lights and playing your heart out! Go out and purchase a metronome! THAT is your best friend, and it never fails. Set a "Number Goal" for yourself and turn it into a game! Play something slowly 5 or 10 times, if you are able to play it correctly crank up the metronome 1-2 clicks. Set that same number again, if you mess up before getting to that number then go back to the previous tempo. Challenge yourself to memorize tricky passages as well. Take a tricky 8 or 12 measure section and memorize the first 2 measures to start off. Play it 10 times, then turn the stand and play it 5 times by memory- keep doing this and you will see how easily you can execute those tricky measures. Why? Well memorizing music is a greater challenge then reading that same passage which is now in front of you! So when its time to play it you can focus less on notes and nerves, and more on musical phrasing and air support!
How do I know if my child is ready to start lessons?
They should demonstrate a natural curiosity for music. Do they ask questions when they hear classical music? Do they react when they hear someone sing? Will they clap or dance on beat to music on the radio? Have they expressed an interest for a specific instrument? Another key factor is age/instrument.
A child who is very active might find something like the drums or percussive instruments more appealing then say the piano or violin which requires less movement to execute sound.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in NYC, New York to students of all ages and abilities.
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