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Featured Voice Teachers Near Sacramento, CA

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Here are just a few of the many teachers offering Voice lessons in Sacramento . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Gorjana Z

Instruments: Piano Voice Music Keyboard

My teaching experience dates back to my college days, as I began teaching private lessons almost 20 years ago, and have been consistently teaching students in my home studio, several Piano Academies, and students' homes. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Susan J

Instruments: Voice

I've also found that a combination of classical and modern music can go a long way in helping students enjoy the singing and acting and motivate them to practice and continue to learn. If a student isn't having fun in their lessons, then I'm not doing my job! My students are encouraged to enter competitions and recitals, as well as work on composing their own original material, so they can feel good about their accomplishments and stay motivated to learn. Read More

Khemya M

Instruments: Piano Guitar Voice Drums Conga Latin Percussion

For beginning guitar I start out with Chris Parkening: classical guitar book...learning finguring styles, rudiments, and notes. We then go into various techniques and develop song repetoire and chording and strumming styles. For beginning piano I start with level one Hal Leonard book for beg. piano and various beginning classical composers: Beethoven, Mozart, Tchakovisky, Jazz, etc. . I split this class into musicianship-learning notes and reading music, fingering and scales, and theory. Read More

Tim W

Instruments: Voice

I started teaching in college when my current voice coach suggested it. The best way to learn material is to teach it, because in order to teach it you must know it inside and out. I can tell you that this lesson was one of the most rewarding discoveries of my career. I sincerely enjoy sharing my knowledge and love watching the development of a new singers. Building a strong voice gives confidence and power. Read More

Sydney Rose C

Instruments: Piano Voice

For beginning students who are children, I introduce theory, rhythm, as well as the instrument to give them a basic understanding of all of the aspects of music. Once the students has a basic grasp of the fundamentals, we will learn songs appropriate for their level. For adult students, I try to teach based on their interests, choose appropriate repertoire and help them meet and accomplish their own goals. The most important is that the students are enjoying themselves and learning - my main goal is to help the students succeed. Read More

Patrick M

Instruments: Guitar Voice Drums Bass Guitar Synthesizer Electric Guitar Acoustic Guitar

Patient, judgement free, creative and adaptive. It takes time to adjust your body to a new instrument, and there will be freedom in the way you learn, and play. We will take creative approaches, and I will adapt to the style you want to take on as far as genre's and interest. For some of my more advanced students I might want to begin teaching songwriting approaches, song structure, and transitions as well. Read More

Smiley B

Instruments: Piano Voice Organ Synthesizer Keyboard

Smiley has studied piano since the age of 5 and has been fortunate to study with the Carl Wheeler the musician who wrote and played for Tony Toni tone, as well as Beyonce and high profile headliners. Smiley has played for celebrity singers including Carlos Santana, comedian Tommy Davidson, as well as John Witherspoon. He a Degree in music from the University of Berklee, and has taught piano and voice since 2005. he enjoys working with people and uses his patience and perceptiveness to communicate music to others. Read More

Teacher In Spotlight

Robert G

Instruments: Guitar Voice Ukulele Acoustic Guitar

What does a normal practice session look like for you?
Since I believe that building a relationship with my students is fundamental to my effectiveness with them, typically, I'll ask the student how they are doing, how their past week has been for them. if they have a crisis, I give them time to vent and decompress--if all is well, we'll do a brief social catch-up, we smile and get into the lesson... Structurally, my protocol after that initial socializing is: 1-- I ask if everything we discussed/practiced last week made sense... 2--If not we review the questioned items... 3--I ask "What did you take home from last lesson" 4--They demonstrate --and I assess their progress... 5-I themn move into my lesson plan, couching it in terms of whta was touched on lasrt week.... 6--We close the lesson with an assignment of how to take the skill/technique of today's lesson into actual practice at home, This typically involve me demonstrating on via a phone video camera...

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My Msaters in related to the field of Education

What musical accomplishments are you most proud of?
I have the grace every weekend of being a choir director who helps choristers enjoy the delight of singing their hearts out while we as a group help feed the hearts and souls of the folks who come to the table... I have published scores of songs that have become staples of weekly Sunday services... I have over my teaching career helped hundreds of students express their joy in song and in their instruments...

Have any of your students won awards or been selected for special honors? How have they succeeded?
Indeed, having taught for 30 years+, I have proudly watched many of my students become professional musicians and teachers themselves...Such is a joy indeed to see student live their passion....

What do you think is the hardest thing to master on your instrument?
As with any instrument, with the guitar and the voice, it is not about simple "getting eh right note.." That's eh easy part--IT's COMMUNICATING the intent and power of that note and the passage that is the true purpose of this and any art....

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Through my education I have been exposed to all of these approaches, and they each in their way have influenced my rather eclectic pedagogical philosophy. My first task with a student is to carefully assess where thy are, how thy learn, and what they want to learn----From there, I draw from each of thse methodologies the techniques and approaches that best meet each student's particular needs.

Why did you choose your primary instrument?
I've always been a singer, so choosing an instrument that would allow me to also sing was definitely a more logical choice that tuba... My parents were not wealthy, so a $100 guitar was more realistic than a $5,000,piano, so, guitar it was!

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Recent Articles from the Musika Blog

Famous Violinists That Inspire Through History

...from the techniques and philosophy she first taught to her students.   Isaac Stern (1920 – 2001)   How do you get to Carnegie Hall? Perhaps a more important question is why is Carnegie Hall still standing? Give a nod to Isaac Stern, who in 1960 led the charge to save the famous performance venue. This famous violinist made his debut at Carnegie Hall in 1943, and he couldn’t bear to see the venue demolished. The conservation effort was successful, and musicians to this day are able to perform in the Isaac Stern Auditorium/Ronald O. Perelman Stage. Musically speaking, Stern was a prolific musician... Read More

Hey Soul Sister Chords for Acoustic Guitar (Train)

...  Useful links Lyrics and Chord Tabs Read more on Wikipedia     Song Specs Title: Hey, Soul Sister Artist: Train Songwriters: Patrick Monahan, Amund Bjørklund, and Espen Lind Album: Save Me, San Francisco Key: C (Capo at 4th fret, actual key is E) Tempo: 98 Chord Progression: C–G–Am–F Accompaniment Technique: Open Chords, Pulsing and Boom-Chicka Strumming   Playing Tips Here are some helpful tips to keep in mind when learning the Hey, Soul Sister chords. I provided some useful links above and I’ll take you through the chords, accompaniment patterns, song form, and chord chart. Everything you need to get ... Read More

Reading Music for Beginners: Rhythm and The Staff

...Learning how to read music is probably pretty low on the priority list of many musicians. How can something as dull and boring as staring at weird symbols on a sheet of paper make you a more skilled musician? I used to think thoughts like this before I learned how to read music in college. Reading music for beginners might seem like a huge undertaking, but with some practice, effort, and guidance, most people begin to understand the language of music rather quickly. Speaking from a decade of music education experience, I can tell you that the difference between a student ... Read More

Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...Introduction to the Final Part of the Series   This blog post is the fourth and final part of a series on learning how to play comfortably in 12 keys entitled Jazz Exercises for the Saxophone. Does this mean that you’re now an expert on playing in 12 keys? No. This series is meant to be an introduction of sorts. It is not a comprehensive method. Remember, studying jazz is a lifelong process. I don’t have any more clever anecdotes or hypothetical situations to explain why learning to play and think comfortably in all the keys is incredibly important. Just ... Read More

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...far I have provided a very small amount of context and given examples of the plethora of tools that Kodály inspired teachers use in the music classroom. I find it important at this juncture to emphasize that while the Kodály approach was originally developed to aid in strengthening a nation’s cultural identity through music literacy, it does not end there. Although its inception was several decades ago, in a completely different country halfway around the world, a Kodály inspired philosophy and pillars of music education are most certainly applicable to modern day music education. By building a strong foundation of ... Read More
Famous Violinists That Inspire Through History
Hey Soul Sister Chords for Acoustic Guitar (Train)
Reading Music for Beginners: Rhythm and The Staff
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys
The Kodály Approach – More than Hand Signs

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