Bass Lessons in Edison, NJ

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

I am an experienced professional musician who performs and records regularly on multiple instruments and in many styles of music. I've composed soundtracks for national television shows and advertisements, and I am very passionate about teaching and sharing my love of music and the learning process. I have had and continue to have the great pleasure to perform, record, conduct, and cowrite with Grammy winning artists, producers, and engineers, and have had the opportunity to play at prestigious venues such as the Kimmel Center in Philadelphia, Jazz at Lincoln Center's Rose Theater, and toured on five different continents. Read More

Instruments: Piano Guitar Trumpet Drums Bass Guitar Organ Synthesizer Harmonica Banjo Ukulele Mandolin Recorder Double Bass Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Electric Guitar Djembe Acoustic Guitar

I will do whatever it takes to teach the student whatever they are willing to learn. If they want to learn a specific genre on an instrument that has never been used for that genre, I will be happy to teach them. For example, I can play trap music on a piano, but I could also play death metal on a piano as well. Trap music doesn't have to be restricted to a computer, and death metal doesn't have to be restricted to just guitar, bass, and drums. Read More

Instruments: Guitar Drums Bass Guitar Electric Guitar Acoustic Guitar

First of all, theory is extremely important to learn music. By learning and understanding theory you will realize and appreciate music as the amalgam between art and science. Music is heavily influenced by math. Music is science of the soul. Secondly, I make a lot of emphasis on improvisation as well. As soon as you understand the fretboard and your finger get used to playing, then improvisation connects your fingers with your soul, your muse, your inspiration. Read More

Instruments: Guitar Voice Bass Guitar

Depending on your level of experience that you are currently at; I design custom lessons that work on developing your technique and understanding about your instrument. I will teach you how to strum/transition chords, develop rhythm and timing, lead solo, picking/fingerpicking, slide, capo as well as bass guitar mechanics along with many other concepts that will immediately improve the way you play and approach the instrument whether guitar or bass. Read More

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

The best feeling for me is seeing my students progress and enjoy playing the guitar. I always set goals for my students from lesson to lesson so that we can optimize what we do in each meeting. We will have short term and long term goals that we work with in order to achieve what a student would like to learn on the guitar. With knowledge of what the student wants to learn on the guitar we can accomplish any goals between individual practice and lessons. Read More

Instruments: Guitar Bass Guitar Synthesizer Mandolin Lute Keyboard Electric Guitar Classical Guitar Acoustic Guitar

My teaching experience encompasses over a decade of teaching across three continents. I've taught in public high schools, music schools, multidisciplinary seminars and camps, universities (Yale, University of Toronto) conservatories (Cornish College of the Arts and Il Conservatorio della Svizzera italiana), and maintained a private studio since 2005. My students are an eclectic bunch and I couldn't be happier that this is the case; I regularly teach classical guitar lessons, help teenagers make hip hop and RnB records, work with budding sound designers, and coach avant-garde chamber music ensembles, just to name a few! Read More

Instruments: Guitar Drums Bass Guitar

I typically like to start lessons with a warm up, and this is a good opportunity to see what level a student's technique is at. I immediately address anything that I see to be problematic in the student's technique, and we start working on ways to improve it as soon as possible. These can be simple exercises and when I see that my students are improving in these exercises and that their technique has gotten better, I always make sure that they also notice the difference and give them a sense of accomplishment. Read More