Cello Lessons in Leather District, MA

Instruments: Piano Cello

*Performance Experience: Solo Graduation recital at NEC Brown hall, 2019 Solo recital in Taipei Taiwan, 2018 Solo recital in Taipei Taiwan, 2017 New England Conservatory Chamber Gala concert at Jordan Hall, 2017 Agitato Trio performances, 2016-17 NEC Prep School Youth Philharmonic at Harpa Concert Hall in Reykjavk, 2015 NEC Prep School Youth Philharmonic at Hallgrmskirkja in Reykjavk, 2015 NEC Prep School Youth Philharmonic at Vi Djpi Festival in safjrur, 2015 NEC Prep School Youth Philharmonic at Hof Cultural Center in Akureyri, 2015 Chamber Performances at Vianden Castle, 2013 *Working experience: New England Conservatory Prep School Chamber Coach, 2019-20 New England Conservatory Prep School Sub Cellist, 2019-20 Seed Music and Art Center Piano teacher, 2019- 20 Seed Music and Art Center Cello teacher. 2019- 20 Boston Philharmonic Orchestra Teaching Assistant. 2020 Foundation for Chinese performing Arts music camp at Walnut Hill as a TA, 2019 Foundation for Chinese performing Arts music camp at Walnut Hill as a TA, 2018 Foundation for Chinese performing Arts music camp at Walnut Hill as a TA, 2017 Read More

Instruments: Cello

All students are encouraged to find level-appropriate pieces (that don't have to be classical!) they wish to play, and I will do my best to help them achieve their request and can provide suggestions as well. I try to incorporate songs and tunes outside of the classical genre into my assignments to keep students' practice sessions fun, and for students interested in learning non-classical cello, we can work together to create a curriculum that fits your needs. Read More

Instruments: Cello

I believe patience and versatility are very important, as each student learns a different way. I set goals for each lesson and try to guide the student during the lesson into achieving them. Sometimes the goals are achieved during the lesson, and sometimes while practicing on hteir own time. I don't believe in achieving "perfection", but rather developing a solid understanding and connection with the piece, which is accomplished through putting in hard work and effort.  Read More

Instruments: Cello

I emphasize ergonomic/body comfort in playing the cello.  Comfort is most important before being able to progress and reach technical heights.  There is no formula for any single student to make progress.  I work with students to discover their goals on the cello, and to help them expand as instrumentalists, musicians and human beings.   Musically, I focus heavily on music theory which I will explain as necessary.  I place importance on theory because it allows an understanding of musical patterns that can be easily applied on the cello. Read More

Instruments: Cello

I've been teaching the cello and music to individuals and ensembles for ten years. During my undergraduate degree, I taught with the Virginia Tech String Project. From conducting, coaching sectionals, and helping students with technique during rehearsals, I gained many of the teaching methods and practices I keep today. I also co-taught string ensembles at the Roanoke Symphony Orchestra Summer Music Institute. In these camps, teachers and students together had a week to program, practice, and perform a concert. Read More

Instruments: Cello

As I am certified in Suzuki Book 1, I start students with Suzuki books and methods, while also supplementing with other materials and incorporating any extra music/activities a student might be excited about! With students who have already started, I will often still refer to the Suzuki materials, but I will pull more from other books and repertoire. I am very flexible in strategy and method based on where the student is at and where they want to go, no matter their age. Read More

Instruments: Cello

Teaching should never revolve around the notion that "perfection" is the ultimate" goal. This way of thinking not only provides my students with a false sense of hope, but more importantly is simply unattainable. In the modern age of playing, too often do I feel students losing sight of what is most important: the music. While good intonation and rhythm are certainly important, what I hope to instill in each of my students is a level of understanding far beyond learning the "notes" on the page. Read More