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Featured Drum Teachers Near Denver, CO

4306   5 STAR Musika Reviews

Here are just a few of the many teachers offering Drum lessons in Denver . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ret N

Instruments: Piano Voice Cello Drums Bass Guitar Synthesizer Music Keyboard

Especially on piano and keyboards, I have found that combining classical music and learning from books with learning music that students enjoy listening to on their own can revolutionize how students learn and enjoy their instrument. I also work with my students to learn their instrument and the necessary music theory concepts by writing their own melodies and small songs, so that students can feel creative while learning another method of processing the world around them. Read More

William J

Instruments: Drums Recorder Mallet Percussion Orchestral Percussion

For beginners I ask what are their favorite songs and go from there. If they do not know then I usually play a popular song. I hope to get the beginner attuned with playing along and the importance of timing. With my guidance the student builds their own beginner book through our lessons. I give all students activities to work on during the week that I expect for them to show me at the next lesson. Read More

Mia K

Instruments: Piano Drums Orchestral Percussion Conga Latin Percussion

Education should be as individual as each student! I try to adapt my personality and teaching style to best fit my students. Each lesson or clinic will demand something different of me, just like each topic will. Positive reinforcement has always been my go-to. Playing music in front of one person (or 50) can be a soul bearing experience, and I've found that encouragement can be everything! Read More

Ryan S

Instruments: Guitar Drums Bass Guitar Mallet Percussion Orchestral Percussion

My style of teaching is personal and caring. Whether my students develop a desire to pursue music beyond our lessons, I care about their happiness and personal success in life. I develop a relationship with my students and I really enjoy it when I hear that they used a concept I taught them in our music lessons for something beyond music. I at least hope to instill a strong understanding and enjoyment of music in each of my students which they can share with the people in their life. Read More

Brady S

Instruments: Drums

I have been playing drums for thirty years, and teaching drums to all ages of students for about twenty. I started playing drum set at the age of five, took regular private lessons from many teachers, took every music class available at school, and made District Honor Band seven years. I marched on my high school's snare line for four years and was Drum Captain for two. I marched snare drum for Spirit of Atlanta Drum and Bugle Corps in 2000, as well as for The University of Georgia's Redcoat Marching Band. Read More

Nick H

Instruments: Drums

The experience I have teaching goes back to my time at the University of Colorado Denver, I enrolled in an Afro-Cuban hand percussion class, and in a music pedagogy(teaching) course. The music pedagogy course taught me numerous teaching philosophies and required me to teach lessons regularly with a student. The afro-cuban ensemble gave me immense experience tutoring other students that were coming into the class without any drumming experience. Read More

Teacher In Spotlight

KR A

Instruments: Drums Conga Latin Percussion Djembe

What advice do you have about practicing effectively?
Consistency is key! Practicing a little bit every day is better for your growth as a musician than practicing a lot one or two days a week. Always warm up with something you're familiar and comfortable with before pushing into new territory. And of course, practice with a metronome! It doesn't have to be clicking the entire time you practice, but every practice session should feature at least some metronome work. Playing to a click is a surefire way to improve your sense of time, and as a percussionist you'll want to have the best time feel you possibly can!

When will I start to see results?
Results will entirely depend on the amount of work you put in. While it is true that certain students will inherently have an easier or harder time than others depending on the material being taught, the ones who work the hardest and practice the most will be the ones who see results the quickest and make the most consistent progress. As a general rule, students who put in at least a few hours of practice a week can go from complete beginner to being able to play a few basic beats within a month or two.

What do you think is the hardest thing to master on your instrument?
The hardest part about playing the drums is being able to synthesize all you have learned to create music on the fly. That is, instead of pre-planning the beats and fills you're going to play, you instead make up beats and fills that suit the music as you go. This requires a lot of practice so that you're comfortable enough with the coordination required to start, stop, and switch between beats, all while remaining at the same tempo. You'll often be required to do so at different tempos and in different styles as well!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The materials I use depend on the genre the student is interested in. For rock, funk, and pop drummers, I tend to go with A Fresh Approach to the Drumset by Mark Wessels. The build-up of ideas throughout the book feels intuitive, and the backing tracks give students a way to practice the material in context. For jazz students, I use John Riley's books The Art of Bop Drumming and Beyond Bop Drumming. As far as I'm concerned, these two books are the gold standard for jazz drumset education, giving students a structured guide through several different aspects of jazz drumming, plus backing tracks and recommended listening. For those interested in Latin percussion, Ed Uribe's books on Brazilian and Afro-Cuban percussion are invaluable assets that go in depth about both individual percussion instruments and how those sounds are combined to make drumset grooves.

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