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Featured Guitar Teachers Near Philadelphia, PA

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Here are just a few of the many teachers offering Guitar lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

John M

Instruments: Guitar Bass Guitar

I have a love for teaching students of all levels and ages. My specialty as a guitarist is in jazz, but I bring that love for improvised music to a number of other styles: blues, rock, funk, acoustic/fingerstyle, country, folk, ska, reggae, RB etc. I graduated from Duquesne University in 2013 with a degree in jazz performance. Pittsburgh is a great jazz town with a fantastic local scene, which was a very fun and nurturing environment for me as a student. Read More

Stanley A

Instruments: Guitar Lute Music Classical Guitar Acoustic Guitar

Classical GuitaristStanley A. is internationally renowned for his thrilling virtuosity, poetic interpretations, and refined musicality. A scholar and specialist in the field of 19th Century music, he often features unknown compositions by the Romantic guitar composer-virtuosi. Performance highlights during recent concert seasons include London, Rome, New York,Venice, Wrocław, Washington D.C., Padova, Philadelphia, Boston, Baltimore, Princeton, etc. He has recorded CDs in both Europe and the United States, including Albany Records (USA), the Sheva Collection (Italy/UK), and most recently, the World Premiere recordings of Maestro Robert W. Read More

Jacob Z

Instruments: Guitar Bass Guitar Music Electric Guitar

While students arrive to my lessons with an array of different skills, I always make sure they have the fundamentals of music down; such as keeping a consistent rhythm and ensuring the notes choices are harmonically pleasing and intentional based on the piece. Making sure the student is learning what they enjoy learning as well as what I feel are the necessary next steps to improve their skills are essential in the learning process no matter what age the student is. Read More

Francis M

Instruments: Piano Guitar Voice Saxophone

I'm a very passionate Musician and believe in the use of music as a tool for healing spiritually and helping others as music provides a source of discipline, requires great concentration and is soothing to the mind. Music is an outlet for people when struggling or having hardships as well as a source for developing good concentration skills and necessary disciplinary habits. I have a Master's in Music Therapy and currently work as a Music Therapist in a nursing facility. Read More

Robert C

Instruments: Guitar Drums Bass Guitar Electric Guitar Acoustic Guitar

I have found the last few years very rewarding as students become musicians. Since my first student I taught in 2004, through the days I taught at a music school, up right on to the present moment, I love passing the music onward as it was passed to me. Being a multi generational musician, it's important to me to teach this great artform and pass it down through generations. I also like to let my students know that "music lasts a lifetime." Because, if my students practice the material five days a week, for a minimum of 30 minutes, their skills as well as confidence will grow. Read More

John F

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

I am a guitar teacher and music educator based in Flemington, NJ. In 2012, I graduated from the Berklee College of Music (Magna Cum Laude) with a BM in Audio Engineering and Composition. I went on to complete my Masters in Musicology from Boston University, where I wrote my thesis on non-worded religious musics set by Estonian contemporary composer, Arvo Prt. I am now completing my PhD in Ethnomusicology, focusing on music that accompanies Thai kickboxing in Thailand. Read More

Sophia S

Instruments: Piano Guitar Voice Keyboard Djembe Acoustic Guitar

As a singer who has already experienced some of the traumatic effects of misuse and overuse of singing, I believe that health comes first. Anyone can learn to sing but there are so many significant factors that most teachers forget to include in their training. I believe that any one can have or learn to have talent, but the singer who has the awarness and understanding of taking care of that talent will benefit more than they can imagine. Read More

Teacher In Spotlight

Karen D

Instruments: Piano Guitar Voice Keyboard Electric Guitar Acoustic Guitar

What advice do you have about practicing effectively?
Students need to practice at least four days a week, covering everything we've gone over in the lesson. Don't worry about mistakes - think of them as questions from your fingers that can be answered in the lesson.

How do I know if my child is ready to start lessons?
If he/she can: sit still and pay attention for half an hour, recognize colors or count from 1 - 5 recognize numbers from 1 - 5

When will I start to see results?
Immdeiately. For children the first lesson consists with keyboard games and simple exercises that they can do either on their own or with the help of a parent. From there we move on to simple songs that they can play on their own or with a bit of parental help. For adults, we begin with very basic exercises, and I give very clear instructions that students can follow from the first day we work together.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My second teacher, Mrs. Natalie Cherney, was a tremendous inspiration. She was a great player and a fair, tough teacher. I think of her all the time and am always grateful to her.

Why did you choose your primary instrument?
Not sure with piano. I started asking for one when I was three. For guitar, I wanted to play in the folk choir at the Catholic school I went to. I thought acoustic guitars looked extremely cool and sounded incredible. I started teachimg myself when I was nine.

What musical accomplishments are you most proud of?
Putting together a tour of New England colleges (using Amtrak and Greyhound) on the strength of a demo cassette. In February, no less.

What do you think is the hardest thing to master on your instrument?
Speed and volume dynamics for piano - the mechanics of expression. For guitar rhythmic complexity is challenging.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use John Thompson method books in beginner piano classes with children. The songs are wonderfully tuneful and provide a solid introduction to the musical structures and techniques needed to play classical music. When students are done with the first grade book, I move on to the Guild Repertoire books, for a wonderful cross-section of Baroque, Classical, Romantic and Modern piano literature. For guitar, I use the Mel Bay method books. I love its clarity: the guitar neck diagrams and explanations of note values are very easy to understand. I also like the way they introduce string-to-string playing gradually.

What does a normal practice session look like for you?
When I practice piano, I begin with scales, cadences and arpeggios. I move onto 'warm-up' songs, usually something I'm working on with my students. I then get into the more challenging stuff that I'm working on for my own pleasure: usually a Bach piece, a Beethoven and a Chopin.

What is your dream piece to perform and why?
Liszt's Hungarian Rhapsody.

If you weren't a musician what do you think you'd be doing instead?
Teaching elementary school, probably kindergarten, first or second grade.

What is your favorite style/genre of music to play and why?
On piano, baroque music. On guitar, blues and rock rhythm.

Does music run in your family? Tell us a little about your musical family members.
My paternal grandmother was a touring ragtime pianist who led her band. My maternal grandfather played by ear. My mother played a little - taught me the C major scale. All my siblings took lessons (piano, drums, guitar) so there were instruments in the house. I'm the only one to make it my profession.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
The defining moment was when I was a senior in college. I did an open mic in Greenwich Village, and felt like I'd come home.

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Recent Articles from the Musika Blog

Finger Exercises For Guitarists

...a connected way. You won’t need your right hand for this exercise. The sound here will be generated by your left hand playing hammer-ons and pull-offs. This means that your left hand will have to play with enough strength and accuracy to be able to create and sustain pitches. To get enough noise, you’ll have to play as loud and hard as you can. This exercise will tire out your fingers, hand, and arm if done correctly. Feel free to adapt this exercise to be played anywhere on the guitar.       Finding An Experienced Teacher   Finger exercises for guitarists available in articles... Read More

Siblings in the Suzuki Studio

...one of your student families has a new baby, let them line up childcare. Some families bring both the mom and dad, so that they can tag team caring for the young ones. Baby goes out for a bottle, and the lesson continues in peace and quiet. This includes toddlers: if someone is just getting too fidgety, let Dad take him on a walk. Siblings or friends who are not babies need to be able to focus. Remember the rule of thumb for potential Suzuki students: if the child can stand quietly and listen to the entire tune of “Twinkle, Twinkle ... Read More

Warner Bros. and Classical Music: The Anti-Fantasia Movement

...so did the entire face of Warner Bros–and two men in particular, Chuck Jones and Michael Maltese, rose to the surface.   Who is Chuck Jones? Have you seen the Disney-produced masterpiece, Fantasia (1940)? That ground-breaking work featured seven classical pieces of music, each performed by the Philadelphia Orchestra and conducted by Leopold Stokowski. It was serious, beautiful, and artistic. Ironically, Disney’s grave use of classical music may have been the spark plug that ignited Warner Bros.’ classical music parodies. Chuck Jones enjoyed a rivalry with Disney Studios; Chuck likely composed his first operatic cartoon, “Rabbit of Seville,” to thumb his nose at ... Read More

Six Easy Guitar Riffs to Learn Today

...catapulted the group into international stardom. Although the main riff sounds like it’s being played on a bass guitar, it’s actually Jack White’s semi-acoustic, 1950s-style Kay Hollowbody guitar being processed by a guitar pedal to sound an octave lower. The song, which is the band’s signature track, is frequently played at protests around the world. Jack White, the band’s principal songwriter, said in interviews that he wrote the riff just in case the band was ever asked to write an original song for the James Bond movie franchise. Though White did go on to later write a song for the franchise, “Seven Nation Army” ... Read More

Easy Piano Rock Songs: Six Rock Classics You Should Play On Piano

...your right hand won’t have too much work to do either. Here are some links:   Sheet Music Piano Notes Visualization   Lynyrd Skynyrd: “Sweet Home Alabama” (1974)     This classic came to us from the southern rock band Lynyrd Skynyrd in 1974 as part of its second album, the aptly named “Second Helping.” It reached #8 on U.S. Billboard Hot 100, and ironically, it peaked higher (#6) in Canada—it did have to compete with the likes of Barbra Streisand, Aretha Franklin, Elton John, and Paul McCartney after all (among others).   The song was not without controversy, but ... Read More
Finger Exercises For Guitarists
Siblings in the Suzuki Studio
Warner Bros. and Classical Music: The Anti-Fantasia Movement
Six Easy Guitar Riffs to Learn Today
Easy Piano Rock Songs: Six Rock Classics You Should Play On Piano

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