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Featured Guitar Teachers Near Philadelphia, PA

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Here are just a few of the many teachers offering Guitar lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kevin B

Instruments: Guitar Drums Bass Guitar Music Electric Guitar Acoustic Guitar

For students who are children I like to start to start learning rhythms through common children’s songs to show how easy music can be. Depending on the instrument, one of the many Hal Leonard books is always a good option. If they are a little older, I will use music that they like to teach how music theory and fundamental skills makes up all the musi they enjoy. We will often learn songs that speak to them and I will use their favorite genres to curate new songs to teach and show them new material and how it relates to their instrument. Read More

Matthew S

Instruments: Guitar

I have been a professional educator since 2008 and have been teaching music since 2015. I currently play with a church choir and I also lead the Williamson College Jazz Club. My main interests include Blues and Classic Rock, though I have taught a variety of styles at the beginner and intermediate levels. With regards to performance, I have primarily played religious music though the Williamson Jazz club has been performing since 2017. Read More

Dan S

Instruments: Guitar Drums

I started playing drums at age 10 thanks to my father, who is a drummer and always had a drum set or two set up in the garage. I joined the school band in 5th grade, but soon quit, as I was distracted in school and it was a little too academic. It was in 6th grade that I started my first band with some friends, and I've played in various bands ever since. Read More

Eric P

Instruments: Guitar Music Electric Guitar Acoustic Guitar

I am new to the guitar teaching game, but I will provide an effective and fun lesson plan. I have had various guitar teachers in my earlier days and have a very good understanding of what works for teaching students guitar. If you give me the opportunity, I will prove that I am probably better than most of the teachers with years of experience. I started playing music on trumpet and had many achievements on that, but fell in love with the guitar and am extremely passionate about passing on my knowledge of music and the guitar to students who want to learn. Read More

Robert C

Instruments: Guitar Drums Bass Guitar Electric Guitar Acoustic Guitar

I'm a very laid back teacher and I do my absolute best in making my students feel comfortable and also have fun while in the process of learning the art of music. I will give the students the tools they need to learn their instrument or instruments. I expect them to use the tools that were taught and practice at least thirty minutes per day and at least five days per week. Read More

Stanley A

Instruments: Guitar Lute Music Classical Guitar Acoustic Guitar

My Teaching Style might be called the Charles Rosen Approach holistic use of numerous aspects: 1. Efficient instrumental mechanics (the basis of a strong and accurate technique); 2. Causal influences both historical and theoretical, which inevitably affect each other in a constant give-and-take and which we perceive through the sieve of time after the event. 3. Proper use of the body as demonstrated in Alexander Technique, Feldenkrais, and Body-Mapping, which can be grouped together under the umbrella of Ergonomics! Read More

Amylia H

Instruments: Piano Guitar Voice

I first began teaching in high school at the suggestion of my own piano teacher. I loved the experience from the start - few things are more rewarding than watching a student develop their musical passion and skill from lesson to lesson. Aside from private lessons, I also interned with the Peabody Children's Chorus in MD. Under the instruction of the brilliant choirmaster Doreen Falby, I had the privilege of working with a group of motivated students aged 8-12 where we studied everything from conducting to vocal technique and put on concerts twice a year. Read More

Teacher In Spotlight

Karen D

Instruments: Piano Guitar Voice Keyboard Electric Guitar Acoustic Guitar

What advice do you have about practicing effectively?
Students need to practice at least four days a week, covering everything we've gone over in the lesson. Don't worry about mistakes - think of them as questions from your fingers that can be answered in the lesson.

How do I know if my child is ready to start lessons?
If he/she can: sit still and pay attention for half an hour, recognize colors or count from 1 - 5 recognize numbers from 1 - 5

When will I start to see results?
Immdeiately. For children the first lesson consists with keyboard games and simple exercises that they can do either on their own or with the help of a parent. From there we move on to simple songs that they can play on their own or with a bit of parental help. For adults, we begin with very basic exercises, and I give very clear instructions that students can follow from the first day we work together.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My second teacher, Mrs. Natalie Cherney, was a tremendous inspiration. She was a great player and a fair, tough teacher. I think of her all the time and am always grateful to her.

Why did you choose your primary instrument?
Not sure with piano. I started asking for one when I was three. For guitar, I wanted to play in the folk choir at the Catholic school I went to. I thought acoustic guitars looked extremely cool and sounded incredible. I started teachimg myself when I was nine.

What musical accomplishments are you most proud of?
Putting together a tour of New England colleges (using Amtrak and Greyhound) on the strength of a demo cassette. In February, no less.

What do you think is the hardest thing to master on your instrument?
Speed and volume dynamics for piano - the mechanics of expression. For guitar rhythmic complexity is challenging.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use John Thompson method books in beginner piano classes with children. The songs are wonderfully tuneful and provide a solid introduction to the musical structures and techniques needed to play classical music. When students are done with the first grade book, I move on to the Guild Repertoire books, for a wonderful cross-section of Baroque, Classical, Romantic and Modern piano literature. For guitar, I use the Mel Bay method books. I love its clarity: the guitar neck diagrams and explanations of note values are very easy to understand. I also like the way they introduce string-to-string playing gradually.

What does a normal practice session look like for you?
When I practice piano, I begin with scales, cadences and arpeggios. I move onto 'warm-up' songs, usually something I'm working on with my students. I then get into the more challenging stuff that I'm working on for my own pleasure: usually a Bach piece, a Beethoven and a Chopin.

What is your dream piece to perform and why?
Liszt's Hungarian Rhapsody.

If you weren't a musician what do you think you'd be doing instead?
Teaching elementary school, probably kindergarten, first or second grade.

What is your favorite style/genre of music to play and why?
On piano, baroque music. On guitar, blues and rock rhythm.

Does music run in your family? Tell us a little about your musical family members.
My paternal grandmother was a touring ragtime pianist who led her band. My maternal grandfather played by ear. My mother played a little - taught me the C major scale. All my siblings took lessons (piano, drums, guitar) so there were instruments in the house. I'm the only one to make it my profession.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
The defining moment was when I was a senior in college. I did an open mic in Greenwich Village, and felt like I'd come home.

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Recent Articles from the Musika Blog

Finger Exercises For Guitarists

...a connected way. You won’t need your right hand for this exercise. The sound here will be generated by your left hand playing hammer-ons and pull-offs. This means that your left hand will have to play with enough strength and accuracy to be able to create and sustain pitches. To get enough noise, you’ll have to play as loud and hard as you can. This exercise will tire out your fingers, hand, and arm if done correctly. Feel free to adapt this exercise to be played anywhere on the guitar.       Finding An Experienced Teacher   Finger exercises for guitarists available in articles... Read More

Siblings in the Suzuki Studio

...one of your student families has a new baby, let them line up childcare. Some families bring both the mom and dad, so that they can tag team caring for the young ones. Baby goes out for a bottle, and the lesson continues in peace and quiet. This includes toddlers: if someone is just getting too fidgety, let Dad take him on a walk. Siblings or friends who are not babies need to be able to focus. Remember the rule of thumb for potential Suzuki students: if the child can stand quietly and listen to the entire tune of “Twinkle, Twinkle ... Read More

Warner Bros. and Classical Music: The Anti-Fantasia Movement

...so did the entire face of Warner Bros–and two men in particular, Chuck Jones and Michael Maltese, rose to the surface.   Who is Chuck Jones? Have you seen the Disney-produced masterpiece, Fantasia (1940)? That ground-breaking work featured seven classical pieces of music, each performed by the Philadelphia Orchestra and conducted by Leopold Stokowski. It was serious, beautiful, and artistic. Ironically, Disney’s grave use of classical music may have been the spark plug that ignited Warner Bros.’ classical music parodies. Chuck Jones enjoyed a rivalry with Disney Studios; Chuck likely composed his first operatic cartoon, “Rabbit of Seville,” to thumb his nose at ... Read More

Six Easy Guitar Riffs to Learn Today

...catapulted the group into international stardom. Although the main riff sounds like it’s being played on a bass guitar, it’s actually Jack White’s semi-acoustic, 1950s-style Kay Hollowbody guitar being processed by a guitar pedal to sound an octave lower. The song, which is the band’s signature track, is frequently played at protests around the world. Jack White, the band’s principal songwriter, said in interviews that he wrote the riff just in case the band was ever asked to write an original song for the James Bond movie franchise. Though White did go on to later write a song for the franchise, “Seven Nation Army” ... Read More

Easy Piano Rock Songs: Six Rock Classics You Should Play On Piano

...your right hand won’t have too much work to do either. Here are some links:   Sheet Music Piano Notes Visualization   Lynyrd Skynyrd: “Sweet Home Alabama” (1974)     This classic came to us from the southern rock band Lynyrd Skynyrd in 1974 as part of its second album, the aptly named “Second Helping.” It reached #8 on U.S. Billboard Hot 100, and ironically, it peaked higher (#6) in Canada—it did have to compete with the likes of Barbra Streisand, Aretha Franklin, Elton John, and Paul McCartney after all (among others).   The song was not without controversy, but ... Read More
Finger Exercises For Guitarists
Siblings in the Suzuki Studio
Warner Bros. and Classical Music: The Anti-Fantasia Movement
Six Easy Guitar Riffs to Learn Today
Easy Piano Rock Songs: Six Rock Classics You Should Play On Piano

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