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25 Years
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41,456+
Happy Customers
10,769
Cities with Students
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Teachers in Network
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Here are just a few of the many teachers offering Music lessons in Los Angeles . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Cello
I began teaching at a very young age in church for various children's program. After seeing how rewarding working with children is, I began teaching music in an elementary school's after school program. I soon expanded into teaching at the middle school level, and adults. Read More
Instruments: Flute
Lessons are customized to the needs of each student and include instruction in the following areas: Learning how to practice effectively and efficiently Play the flute with a beautiful tone and excellent technical proficiency Perform music from a wide variety of genres Sight-read with ease Improving rhythm and an understanding of basic music theory Breathing, balance, and postural ease in sitting and standing Intonation exercises - playing chamber music together Awareness techniques and mental preparation to manage performance anxiety, reduce discomfort, and unlock free, expressive playing Audition/competition preparation, stage presence Extended Techniques for tone development and applications in repertoire, beat-boxing Learning how to improvise Become a successful and knowledgeable musician Studio recitals and other performance opportunities Read More
Instruments: Drums
Learning the drums should be a fun and rewarding experience! I believe that learning to play different styles, playing along with a metronome/song and being able to read music are essential for all drummers. I ask students what style of music/bands they like and incorporate this into lessons. I break the lessons down into 3 sections: The first is where we warm up and play rudiments and technique exercises. Read More
Instruments: Saxophone Clarinet
However, there is a style that is much more ancient and at the same time current and happening in approach. The music of Australia, Africa, the Americas, South East Asia, and in some cases the folk music of Europe all rely on a tradition of improvisation and general forms that are passed down through the generations and influenced by the environment; so there is no specific composer. I seek to begin a canon of music that is inherent in this particular approach of providing form to the appropriately trained performers; this form is based off of scientific and natural phenomenon that we experience in the regions of the world where circular breathing has been developed: very unique ones at that. Read More
Instruments: Piano Keyboard
For me, reading notes is essential, because it opens up the entire musical literature. So that is what I start with. Counting is equally important, so I start with that as soon as possible. I usually work with Bastien Technique. I like the way the book is organised. In addition I give pieces for them to learn, according to their difficulty. I always plat the pieces first to make sure the student will enjoy working on the piece. Read More
Instruments: Drums Latin Percussion Djembe
I typically use a lot from my marching band days to get students warmed up and really fine tune their technique and coordination. From there it truly depends on the student's goals and skill levels. I like to work on specific songs the student wants to learn or use other pieces that apply directly to what the student is trying to achieve. From there I break everything down to the basics and slowly build upon that. Read More
Instruments: Bass Guitar
What is your dream piece to perform and why?
I already performed it- Portrait of Tracy, a solo piece by Jaco Pastorius. I was asked to perform it at the Berklee Performance Center in Boston for the 1993 Bass Day performances. An amazing experience to perform it for over 3000 people.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a performance degree from the Berklee College of Music. I chose performance because there was so much playing involved and the constant interaction with other musicians was immensely necessary in evolving to the level I sought after.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Yes, I use a lot of the Berklee music books i have at my fingertips, Also I use the Jerry Bergonzi Inside Improvisation series which is so rich in content that you are amazed every time you work out of it then put it into place on the bandstand.
What do you think is the hardest thing to master on your instrument?
The hardest thing to master is to be able to play exactly what your hearing. That takes hours of performing, transcribing, and working hard where you're able to play exactly what you're hearing.
What musical accomplishments are you most proud of?
Soon to be released is a recording I did with some great LA and NY musicians and we were able to accomplish musically exactly what we wanted. Also, at Berklee I was able to play a lot with Antonio Sanchez, who is Pat Matheny's drummer. Also playing with Mahesh Balisoorio, an amazing pianist who has played with some of the best in Jazz. Also I got the chance to play with Danny Carrey- Tool's drummer.
Have any of your students won awards or been selected for special honors? How have they succeeded?
I've had two students graduate from Berklee College of Music and go on to professional music careers. Also students who, graduated Cal Arts, Oberlin Conservatory, and North Texas State- of the best music colleges in the world. .
Why did you choose your primary instrument?
I first started going around the house playing a rubber band and singing bass lines, then I had a friend who was a bass player and he lent me an instrument and just love the sound of the bass...
Did you have a teacher that inspired you to go into music? How did they inspire you?
My dad inspired me to go into music because he was a musician and started me out on the baritone horn, I then changed to trumpet in the 5th grade and my band teacher Mr. Baxter had multitudes of inspiration for me to continue my musical journey.
What advice do you have about practicing effectively?
Repetition is key to forming the musical chops, muscle memory, and complete understanding of the use of concepts and approaches. Also, concentrated and aware practice keeps you sharp and up on ideas, and improv.
How do I know if my child is ready to start lessons?
One way to tell is if they are singing, banging out rhythms on anything available to them. Also, if they start to ask questions about how to do things musical I think that is a good indication they are ready for lessons.
When will I start to see results?
Some results you will start to see right away, others may take a week or so, and advance techniques may take months at a time. The results are sometimes difficult to see yourself, that's where the teacher's experience comes in.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in Los Angeles to students of all ages and abilities.
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