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Featured Music Teachers Near NYC, New York

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Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Clynt Y

Instruments: Piano Guitar Trumpet

Sharing the joy of making music has been a passion of mine since my undergraduate days. I've been lucky enough to have had some of the most fulfilling students along my journey since then. I enjoy beginning students and their progression and growth and have seen some of my younger students granted music scholarships and even music degrees along the way. I've also had the pleasure of working with some of the finest adult beginners since living here in New York. Read More

Connor F

Instruments: Guitar Trumpet Electric Guitar Acoustic Guitar

Generally, I can only meet with students once or twice a week. Because of this, it's very important that students be able to learn and progress on their own. I believe in the importance of teaching the skills necessary for self-improvement both as a instrumentalist and musician, whether it's figuring out how best to go over trouble sections or memorization. I create checklists for students so that they can clearly show me what they've practiced each day and for how long. Read More

Charles C

Instruments: Piano Voice

I work with a variety of learning methods including Hal Leonard, John Thompson, Bastien, Alfred, Hanon, Czerny and Faber.  I select methodology and solo repertoire to best improve my students technique while at the same time keeping their interest and enthusiasm. I also encourage music compostition, arranging and improvisation to those students who express an interest and desire to learn who to write and compose music.  In addition to teaching the fundamentals of piano I try to engage with my students to learn how to make music on the piano or voice. Read More

Jonathan A

Instruments: Trombone Euphonium

My teaching experience began in my years at Raritan Valley Community College (RVCC). Next to the music building, I began to volunteer at the local daycare that was right next to the arts building. That experience is what led me to want to become a studio instructor. After those 3 years passed, I was unfortunately unable to teach privately through my time at TCNJ, as I was learning as many new techniques and tricks for both the euphonium and the trombone as I possible could. Read More

Larry B

Instruments: Saxophone Flute Clarinet

I have been teaching for 10 years now and have a wealth of knowledge and experience to share with anyone interested in learning music. I graduated in 2011 with a BA in music education from Brooklyn College, and recently graduated with a MA in Jazz Performance in 2020 from New Jersey City University. I perform regularly in the New York City music scene, performing with such ensembles/musicians like the Afro Latin Jazz Orchestra, Mingus Big Band, Shag Horns, Eddie Palmieri, James Jabbo Ware, and Adam O'Farrill. Read More

Alexia M

Instruments: Voice Violin

I began teaching voice in college both privately and in group settings. In addition, I directed and taught music for two theater productions. I enjoy helping each student reach their unique goals as an individual. I am trained as an opera singer and I specialize in classical/operatic and musical theater repertoire. Additionally, I am trained in music theory, ear training, Eurhythmics, acting, Alexander technique, vocal pedagogy, French, Italian, German, and Greek so I can offer insight on any of these topics. Read More

Flavia D

Instruments: Voice

Ive been teaching voice for over 5 years. My students ages range from 10 to 80 and they are In different levels and have different goals/interests. Although Im classically trained and I have many students following a classical path, using the bel canto technique, Im able to provide the student with tools to sing any genre, and for that I use a Cross Training technique, which embraces classical and vernacular styles, such as pop, rock, musical theater, Brazilian music (like samba and bossa nova). Read More

Teacher In Spotlight

Eric S

Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar

What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.

Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!

How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.

When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.

What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man. Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool. I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.

What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.

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