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Featured Music Teachers Near NYC, New York

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Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Megan A

Instruments: Flute

I began teaching private flute lessons when I was in high school to younger students in the Amityville school district, Amityville, NY. Once I began student teaching on Long Island, I began building a small studio of flute students. I then moved to NYC where I taught in the NYC public school system for 9 years teaching 6-12 grade. In that time, I started the music program at my school where I built 5 choruses, an orchestra, recorder class, a Broadway appreciation class, a step team and completed numerous other tasks. Read More

Jonathan S

Instruments: Trumpet

I want to see my students foster an actual relationship and connection with their craft, because I know first hand the renewed sense of purpose, motivation, and confidence that can be realized from doing so. To help instill this type of relationship with my students, rather than fostering an environment of pre-determined hierarchy between myself and them, I chose to co-create one, based on the sharing of mutually perceived values, concepts, and ideas. Read More

Rebecca R

Instruments: Piano Voice

Singing lessons will be tailored to the individual student's goals, interests, and experience level, and I encourage all voice students to take initiative when it comes to how they would like to develop as singers, whether that be in pursuit of a performance career, pure hobby, or stress relief. These lessons are broken up into two focuses: the first half of the lesson will focus on breathing and technical exercises, learning to warm up the voice in the healthiest and most beneficial way. Read More

Gustavo Z

Instruments: Voice

Born in Matanzas, Cuba, I have studied voice with Maestro: Joaqun Mor at the Cultural Center Los Corales in Varadero, Cuba since 1994. I am a renowned opera Lyric-Tenor performer as well as a contemporary popular singer. I have received prestigious awards in several fields. In 2002 I appeared as a Soloist Tenor at the Habana-Cuban Metropolitan Main Opera House, Teatro Lrico Nacional de Cuba. Vocal Professor of Pop and Classical Music at the Teatro Lrico Nacional to soloists and choir singers. Read More

Kristin S

Instruments: Voice

For most students, I typically start with breathing exercises and warm ups to learn the student's voice. I would ask for the student to prepare a song of their choice and we would typically spend a few lessons learning the fundamentals and engaging in proper technique. I like to make learning fun, so there are a few exercises that I have up my sleeve that are engaging and fun, no matter what the student's ability level may be. Read More

John B

Instruments: Trumpet

Playing trumpet can be fun and enjoyable. It can also be one of the most physically demanding instruments to play. The physical aspect of playing can be the most crucial. Learning to play with proper air support, embouchure set, correct finger technique, and posture will not only make playing easier, but will also progress your abilities faster and more efficiently. My lessons are structured around the proper physical approach to the horn while applying fundamental techniques such as: Lip Flexibility, Technical Fingering, Range, Proper Equipment, and most importantly, Breath Control and Proper Abdominal Support. Read More

Teacher In Spotlight

Eric S

Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar

What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.

Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!

How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.

When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.

What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man. Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool. I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.

What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.

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