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Featured Music Teachers Near NYC, New York

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Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Eliot K

Instruments: Piano Synthesizer Keyboard

I've been teaching piano and composition for 15 years. I've taught countless private lessons to people from all ages from as early as 5 years old to 70! I particularly love to help people create their own music and connect to their own musical voice. I help students get through all of the basics; scales, reading, harmony and music theory. I am very good at helping students be creative and to find something inside themselves that allows them to express their voice. Read More

Matthew S

Instruments: Piano Guitar Bass Guitar Double Bass Keyboard Electric Guitar Acoustic Guitar

I always start with the absolute foundation and fundamentals of music. I find when I start teaching students that have taken lessons previously, there are many holes in their understanding of their respective instrument and understanding of music in general. Consistency and steady progression is vital. What method books I recommend vary depending on the instrument and will be discussed prior to the first lesson. I encourage all students to come prepared with pencils, folder, staff paper and approved method book. Read More

Kristin T

Instruments: Piano Voice

It gives you better vocal control, larger ranges, and overall finesse. Through both my teachers I also learned a lot about different techniques on piano. For most piano students I start them off with 'An All In One Beginner Piano Course' with Andrew Fling. This introduces the piano in such an interesting way and has students advancing in only a few short lessons. I also introduce scale exercises for both piano and vocal students, which strengthens their mastery of the instrument and introduces discipline and drive. Read More

David Z

Instruments: Piano

I firmly believe that a love of music, over anything else, should be the driving force behind learning to play an instrument. I therefore try to instill in my students a genuine love of the art. This love then makes him/her want to practice! Practicing (and the entire learning process in general) should be natural, fluid, creative process rather than the heavy burden many young people make it out to be. Read More

Maria J

Instruments: Voice

There are many methods in voice, but my favorite teaching method is Vaccai. Its a simple and thorough method that explores intervalic reading and understanding theory, as well as classical breath training. I also teach vocal improvisation with jazz standards and allow my students to research about other styles and genres that they are curious about. The most important thing is they keep a good vocal health practice that allows them to be versatile and creative. Singing is such a personal and meditative instrument that the more time you spend understanding your voice the more you will be able to achieve. Read More

Austin K

Instruments: Piano

I subscribe to the Faber and Faber Method, Suzuki Method and Bastien Classical Series for beginning students. The repertoire is supplemented with technical and sight reading exercises. I especially subsribe to the Hanon Exercises which are a great tool for building finger strength, dexterity and technical mastery. I expect my students to have a firm understanding of a variety of scales and chords (considered to be the building blocks of music) for which I subscribe to the Guild Musicianship Book as a good starting point. Read More

Joseph M

Instruments: Violin Viola Electric Violin

For beginners, I always start with Twinkle, Twinkle Little Star. I typically will work with the student from the Suzuki Violin Method books and also will choose a scale book based on the student's progress. I often prefer for beginning students to play from the Hrimaly Scale Book. Later down the line, students can choose pieces that they are interested in, but I am always an advocate of classical pieces for fundamental training. Read More

Teacher In Spotlight

Eric S

Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar

What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.

Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!

How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.

When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.

What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man. Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool. I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.

What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.

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