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Featured Music Teachers Near NYC, New York

4344   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jillian M

Instruments: Trumpet

I've been a teacher for 12 years and counting, on a range of subjects: languages (English as a second language, Chinese, and Japanese), writing, music and history, music theory (jazz), and performance (jazz and classical). As a trumpet instructor I have a wide range of repertoire and have studied under some of the top players in the world, including jazz greats Lester Bowie and Wynton Marsalis; I currently study with Joe Magnarelli. Read More

Jonathan S

Instruments: Flute

I welcome passing on what has been for me a world class jazz improvisation and flute instruction. This includes instruction from Frances Blaisdell, of world fame as a flute instructor at Manhattan School of Music and Stanford University. I also attended the jazz studies program at Rutgers University with specific instruction from Ted Dunbar and Kenny Barron. Also, while living in San Francisco studied with Bobby Hutcherson and Woody Shaw. Read More

Pete O

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Acoustic Guitar

In-demand NY session musician, teacher, and musical director Pete O has studied with many of the world’s top bass players. In addition to his independent studies at Berklee Music school, Pete has had the pleasure of studying with industry legends such as Victor Wooten, Chuck Rainey, Anthony Wellington, Adam Nitti, and Matt Garrison. Pete’s highlights include opening the Gathering of the Vibes festival in upstate New York, featuring James Brown, Michael Franti and Spearhead, Gov’t Mule, and the Allman Brothers. Read More

Carl P

Instruments: Piano Guitar Voice Bass Guitar Keyboard Electric Guitar Acoustic Guitar

I'm a very optimistic person. I like to inspire my students, and watch them have fun and grow! Lessons should be a fun thing to look forward to. As a kid, I had many lessons and teachers that I did not enjoy going to, and I don't want that to be the case for my lessons. Learning a new musical skill is fun, and really fulfilling, and I want my students to feel that way when they work with me. Read More

Dmitry S

Instruments: Piano

I am a Russian-born pianist, Ive lived in America for most of my life. I started playing piano at the age of five and had teacher up until the age of 18. I completed the piano coursework at the Westminster Choir College at Rider University when I was in high school. After graduating, I proceeded to learn piano pieces on my own, and Ive also worked with DAWs such as Ableton Live. Read More

Sulamit G

Instruments: Piano Violin

I believe that each student's success - no matter how big or small, needs to be celebrated and encouraged. Acknowledging a student's efforts is vital for their own motivation to continue to work hard, and it is such a heart warming and rewarding feeling to see a student grasp a concept that they were once struggling with. It is very important to me to learn each student's personal goals and objectives, and to plan my instruction based on what that student is after. Read More

Shoko N

Instruments: Piano Synthesizer Accordion Music Keyboard

I’m passionate and motivated instructor who loves working with students and sharing my love of music. I graduated from Berklee College of Music in Boston 1996 and completed studies in composition and arranging with teachers: Donny Nolan, Phil Wilson, Dan Moretti. Majored in piano performance with teachers: Joanne Brackeen, Kenny Werner and Lyle Mays.  Graduated and received Performance Major Diploma in Music. Studied at the YAMAHA Music Academy in Japan. Read More

Teacher In Spotlight

Eric S

Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar

What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.

Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!

How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.

When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.

What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man. Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool. I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.

What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.

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25 Years

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