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25 Years
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Happy Customers
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Cities with Students
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212-625-1520
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Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Guitar
I think being well rounded is important with music and one thing that I've noticed is building on what the student is interested in. Started off with materials builds important fundamentals, but if my student is nodding off to sleep, then I'm not doing my job. I'll begin by setting a goal and seeing what the student is interested in (i.e. what band/song would they like to learn about?) From there, I'll set a realistic goal (Flight of the Bumblebee can't and shouldn't be the first song on guitar that you learn) and we'll learn the techniques, structure, and music theory that exists in a certain song. Read More
Instruments: Piano Voice Violin Viola Electric Violin
My teaching style is all about getting the student to love music! There is nothing else that will be a greater and more honest motivator than loving what they are doing. Singing, games and dancing are great when the little ones get distracted or discouraged. I make sure to let everyone know that music isn't easy; it's hard and takes a lot of hard work and practice. But it is worth every minute of being able to play anything you desire. Read More
Instruments: Voice
Recent seasons have witnessed return engagements with Lyric Opera of Chicago (Cascada in The Merry Widow, Jud Fry in Oklahoma!) and Chicago Opera Theater (Boris in Shostakovitch's Moscow, Cheryomushki), in addition to debuts with Los Angeles Opera (First Mate in Billy Budd, directed by Francesca Zambello), Lyric Opera of Kansas City (Falke in Die Fledermaus, directed by Tomer Zvulun), and Central City Opera (Jud Fry in Oklahoma!). As Enrique in the world premiere production of José "Pepe" Martinez's El pasado nunca se termina, he appeared at Lyric Opera of Chicago and made his company debuts with both San Diego Opera and Houston Grand Opera. Read More
Instruments: Drums Latin Percussion
My teaching style is based on few important axioms such as getting a proper technique and posture, expanding musical awareness and creativity, and having an open mind to different music and cultures. From that, I love to set goals with the student and work towards it. I will usually bring some work each lesson, and always leave space for something that the student wants to explore. I really want the student to be engaged and to be inspired. Read More
Instruments: Voice
You cannot truly be present to embody a song - whether as a character or yourself - if you are thinking about your technique (hence why it must be reliable). This means holding ourselves to a higher standard and ingraining our technique until it is habit. Kinesthetics - Finally, regardless of how objective and scientific we attempt to be in our approach to technique, the sensations we feel when singing and the language we use to describe those sensations must be subjective. Read More
Instruments: Violin Viola Electric Violin
For beginners, I always start with Twinkle, Twinkle Little Star. I typically will work with the student from the Suzuki Violin Method books and also will choose a scale book based on the student's progress. I often prefer for beginning students to play from the Hrimaly Scale Book. Later down the line, students can choose pieces that they are interested in, but I am always an advocate of classical pieces for fundamental training. Read More
Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar
What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.
Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!
How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.
When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.
What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man.
Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool.
I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.
What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in NYC, New York to students of all ages and abilities.
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