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Featured Music Teachers Near NYC, New York

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Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Isabel G

Instruments: Flute

Goals are incredibly important to keep focused. Whether someone is preparing for a NYSSMA exam, an audition of any sort, a performance, or a competition, having a clear understanding of how long something will take to learn and how long you have is crucial! I am an advocate of teaching a student as early as possible how to practice to be successful. I like to use a method book as well as a book of short pieces to get a student started. Read More

Nathan K

Instruments: Violin Viola Electric Violin

My teaching method combines aspects of the Suzuki method with my own creative exercises and improvisation. I believe that teaching students to invent melodies and rhythms from early in their musical training deepens their ability to hear and perform. I also believe that rhythmic exercises are not emphasized enough in classical instrumental training, and I incorporate such exercises into my own core curriculum. If a student is interested in improvisation, jazz, or pop music, I offer in-depth instruction to performing over chord changes, and other creative violin techniques like playing chords, chopping, and other percussive tools. Read More

Khetiwe K

Instruments: Piano Voice Violin

So excited to be here and on this journey with you! I am a singer, violinist, pianist, and writer who is passionate about bringing vibrant music experiences. This passion has opened up doors for me to bring my talents to places such as Carnegie Hall, Lincoln Center, and The Stephen Colbert Show. I have had the opportunity to back up artists such as Andra Day and H.E.R. I have 2 spaces that I teach in, depending on the needs. Read More

Melody B

Instruments: Piano Voice

Students learn best at their own pace and in their own ways. Thats whats so great about private teaching. Private lessons afford the opportunity to customize to the students learning style, mood, abilities, and how much theyve practiced. Speaking of practicing, I believe that its my job to give students the skills and tools for their musical development in the most supportive environment and its the students job to meet me halfway. Read More

Daniel H

Instruments: Voice

Hello! I'm a passionate and experienced performer and voice teacher living in New York City. I graduated from Baldwin Wallace University with a Bachelor of Music in Music Theater. A few months after graduation, I landed the principal role of Munkustrap in the 1st National Broadway Tour of the CATS revival. During my time with the production, I performed in major touring houses in both the US and Canada, from the Hollywood Pantages in Los Angeles to the Princess of Wales Theater in Toronto. Read More

Yuriy G

Instruments: Piano Bass Guitar Double Bass Keyboard

Yuriy G. is an internationally acclaimed, award-winning composer and musician. He performed at such major venues and festivals as Ronnie Scott's Jazz Club, Pizza Express Jazz Club, Southbank Centre, Vladivostok Jazz Festival, Saint Petersburg Philharmonic Hall, London Jazz Festival, Hull Jazz Festival, Barbican Centre, The Drill Hall and many more. Yuriy's name appeared at such major publications as The Guardian, Jazzwise Magazine, Bass Guitar Magazine, Jazz Journal, Jazz Weekly, Culture Jazz France, The Telegraph to name a few and his music was broadcast worldwide. Read More

Summer L

Instruments: Piano Guitar

I believe that students thrive in learning environments that are individualized, so I tend to use a combination of custom lesson plans and materials. My curriculum includes performance studies books, ear training, sight-reading exercises, proper technique, improvisation skills, and songbooks from a variety of genres, all of which Ive found to be incredibly helpful in my personal music education. Read More

Teacher In Spotlight

Eric S

Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar

What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.

Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!

How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.

When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.

What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man. Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool. I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.

What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.

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Musika Quick Stats

25 Years

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