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Featured Music Teachers Near NYC, New York

4328   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Amy B

Instruments: Violin Viola Electric Violin Fiddle

I love to help each student reach their own individual creative potential.  I give them a good foundation in technique, form, ear traning, and artistic expression, but encourage them to find a piece of music or a musical style that they enjoy to pursue and make sure to save time in each lesson to work on that material.  In terms of developing technique and musical skills, I am very detail-oriented and have clear lesson plans for each class, which I outline in each student's individual lesson notebook. Read More

Matt N

Instruments: Drums Mallet Percussion Orchestral Percussion Latin Percussion

For beginning students, I will start off with some basic rhythm sheets that I have created, and begin to asses the competency and understanding of basic rhythm. I firmly believe for any instrument that everyone needs a strong foundation of rhythm in order to progress into more advanced levels of playing and reading. At this point, I will begin to use Alfred’s Drum Method Books 1 and 2 interchangeably, eventually leading to Podemski’s Standard Snare Drum Method at the advanced level along with Rolls Rolls Rolls. Read More

Najette A

Instruments: Cello

For beginning students, I typically start with the Suzuki method books, because I think they lend themselves well to both kids and parents who are practicing with them. These books also come with accompaniment CDs which I find very important to learning. For adults, I like to have a conversation about what the student's goals are and what they are interested in and guide my instruction accordingly. For all, I want lessons to be engaging and fun, but to make real progress both in solo playing and collaboration. Read More

Jack O

Instruments: Saxophone Flute Clarinet Music

I teach begginers to professionals. On saxophone I empathize what I have learned from everywhere but especially Joe Allard, his methods have proved to be exceptional in getting a desirable sound and achieving technique on the saxophones. Tone and harmonics are essential for saxophone. i have been teaching in my home studio for over 10 years. Living in NY I help students prepare for NSYMA. Last year I had two students at level 5 one scored a 99 the other a 94. Read More

Madison F

Instruments: Clarinet

My teaching style allows room for students to explore their own individual interests while remaining within a framework of achievable and incremental goals. One of the amazing things about music instruction is it allows people (especially younger students) to learn the process of incremental goal setting and achievement for long term success. I like to work with my students to develop a set of goals and a game plan for how they can achieve what might seem far off to them. Read More

Mark C

Instruments: Voice

I am passionate about singing. Whether I do it or someone else is doing it. I have been so lucky to study voice with some of the worlds greatest singers AND teachers. It only makes sense that I should pass on the knowledge that I have learned to others...So they can reach their goals! Ever since I graduated from UCF I have been a working as a teacher. Passing on knowledge is a gift. Read More

Jake G

Instruments: Voice Tuba

Hello everyone! My name is Jake. I am recent graduate of Syracuse University, where I received my BM in Voice Performance. This fall, I will begin my MM in Voice at Boston Conservatory. My aspirations are to become as successful as I can in the music business, particularly in opera. While I am still very young, I have been fortunate enough to work with conductors such as Christian Capocaccia and Larry Loh, and have worked with several wonderful singers at Syracuse Opera. Read More

Teacher In Spotlight

Eric S

Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar

What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.

Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!

How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.

When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.

What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man. Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool. I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.

What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.

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