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Featured Piano Teachers Near East Brunswick, NJ

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Here are just a few of the many teachers offering Piano lessons in East Brunswick . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Katelyn B

Instruments: Piano Voice Music Keyboard

I am a classically trained vocalist, but my true calling is music education. Raised in a very musical family full of teachers, I was singing before I was talking and I started taking piano lessons at the age of 6. I hold a bachelor's degree in Vocal Music Education from the University of Tulsa and I have served as a choir director, taught general music, choral ensembles, fine arts, and musical theatre, and have several years of private voice and piano teaching experience. Read More

Joshua P

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music

My teaching experience dates back to high school, when I began mentoring students under the direction of three of my High School Band directors. My teachers have instilled in me the importance of healthy and efficient playing and performance techniques that are sustainable and can last you a lifetime. Patience is key, progress takes time! In lessons we will work with exercises to show you the full potential of your instrument. Read More

Cynthia O

Instruments: Piano

I am a passionate and motivated instructor who loves sharing my love of music. I have been teaching piano for more than 20 years and I have a weekly music group for young children. I love music and I love teaching music. My favorite part of teaching is the “ah ha!” moment. The moment when a student has been working on something; a scale, a piece of music, anything, and they finally get it. Read More

Timothy T

Instruments: Piano Guitar Drums Bass Guitar Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Djembe Acoustic Guitar

Over the years, I've taken lessons from instructors who had an array of teaching styles. While in high school, I was taught through intimidation and was scared into learning, which is something I was able to handle. This methods can actually turn students away from music which is the main reason dislike approach. Students should be comfortable and relaxed when entering a lesson. This not only creates a positive learning environment for the student but helps create a relationship between instructor and student that only helps the growth of both individuals. Read More

Cameron E

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Djembe

For about 5 years I taught at a program called "Be Natural Music" where all of the students were children and teens. We put together kid rock bands and had them play shows a few times a year at local venues and festivals. I was the resident drum teacher for that program until my very recent move to New York. In my time there I helped the program expand into a new bigger store front and almost doubled their clientele. Read More

Chayong L

Instruments: Piano Violin Viola

I'm well trained in the Suzuki repertoire and philosophies, however I teach a combination of traditional methods and also have the ability to exclude one or the other. For beginners and young children, I teach note reading simultaneously but separately from the applied side of playing. Holding the violin and bow, for example, are very challenging and require time to focus on them individually. Note reading is done on the side and later these aspects merge so that kids are eventually learning new pieces by reading the music directly. Read More

Patricia B

Instruments: Piano

For young children, I start with the use of their 10 fingers. We do finger exercises using Middle C as the center and exercise the fingers in up and down playing at the piano. I use the Faber method of study which is fantastic, is graded, introduces all kinds of pieces and a lot of theory. It is a very interesting course and my students do very well using it. I spend a lot of time each week planning individual lessons. Read More

Teacher In Spotlight

Steven H

Instruments: Piano Guitar Trumpet Trombone Saxophone Bass Guitar Synthesizer Accordion Ukulele Euphonium French Horn Tuba Keyboard Electric Guitar Acoustic Guitar

What is your dream piece to perform and why?
My dream piece to perform is any piece that I helped create, either through commissioning a composer, or through collaboration. I love to make music with my friends, colleagues, students, and fellow musicians. One of the greatest things about music is that is transcends language, boundaries, borders, and walls. When you create music as a group, there is a collective feeling of joy and as a result, music is born into the world: as a soloist performing music someone wrote for me, a brass quintet collaborating with amazing players, or with a huge orchestra, bringing a mass of sound to life.

If you weren't a musician what do you think you'd be doing instead?
If I weren't a musican, I would be an animator. I love cartoons. When I was growing up, my father worked as an art dealer for Disney, Warner Brothers, and Universal. I was surrounded by art and grew up drawing. I initially wanted to pursue a career as an animator before I discovered music. I have a very artistic mind, so I have always been drawn to the act of creation and art. One of my hopes for the future is to animate as a hobby and get good enough to bring animation to the music I create and record.

What is your favorite style/genre of music to play and why?
My favorite genre of music to play is funk/R&B. Much of my training in jazz and theory comes into play in this style. Creative chords progressions meet overwhelmingly groovy rhythms. Many professional musicians who play funk and R&B are incredible technicians on their instruments and can play any style they want. They choose funk or R&B for the creative freedom that the music brings through collective improvisation. Each voice is important in this style, but each part meshes together to make something fun.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
As stated previously, my first instrument was French horn. I began playing in private lessons in the 3rd grade, a year before band was offered in elementary school. As a result, when I joined the 4th grade band, I was well ahead of the class and found myself bored and yearning for a challenge. I picked up the trumpet, thinking that learning a new instrument would bring my this challenge. Little did I know, it would spark an appetite to create every unique sound that instruments have to offer. I added trombone, electric bass, guitar, tuba, piano, saxophone, flute, clarinet, euphonium, ukulele, and others soon after.

Does music run in your family? Tell us a little about your musical family members.
This is an interesting question. In my family, music skipped a generation. My maternal grandmother was a piano player and loved to play tango and popular music from her time. My mother and father both never played an instrument, even still. My three siblings and I all play at least one instrument, my sisters mainly being singers, and my brother being a saxophone and piano player who learned guitar later on. Though none of them pursued music like I did, they were all involved in ensembles in college and still hold that lifelong love of music that comes from playing and practicing.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided to become a professional musician sometime in middle school. I just found that music was something I was very good at, to the point where I felt my mind was meant for it. I was never great with math or language, never very good at sports. I just could not see myself as a businessman, doctor, or lawyer, at that age. When I found a talent and love of music, I decided that's what I wanted to spend my life doing. Teaching music became a passion once I was in high school working for a private lesson studio.

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