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Featured Voice Teachers Near Bridgeport, CT

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Here are just a few of the many teachers offering Voice lessons in Bridgeport . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Derek R

Instruments: Piano Voice

My approach/style to teaching is quite straight forward. My first question is often how long has the student been studying. Does he/she play another instrument? What kind of music would they like to learn? Are they taking lessons for pleasure? If they are beginners or at an intermediate level; are they taking lessons to become professional singers? Whatever the reason, it gives me great joy to see 'the expression of wonder' when a student achieves his/her goals. Read More

Silvana C

Instruments: Piano Voice Music

I don’t believe one method fits all! I believe each person is an individual, so students should be taught as who they are with their own pace. I emphasize on communication, motivation, and patience for both piano and singing. Basically these 3 elements are missing in our society, especially young students. Everything is being promoted as “Express Way” now as learning process without the middle part, but this won’t work for piano or singing. Read More

Brianna M

Instruments: Piano Guitar Voice Drums Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

I began teaching when I was 17 and have a pretty busy schedule of up to 35 students a week! Many of those students still continue to take lessons after 3 years of instruction and have improved beyond their original goals. I find that each student has different interests (rock, jazz, classical, pop, etc.) which is why I enjoy focusing on what they want to learn. Other students do not know exactly what they want to learn; however, they just want to improve in playing their instrument all around. Read More

Marius D

Instruments: Piano Voice Trombone Drums Synthesizer Euphonium Tuba Music Keyboard

For beginning students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Thank you for taking the time to read this I look forward to working with you. Read More

susan M

Instruments: Voice

I have been teaching voice for 30+ years, from classical to broadway, and all forms of contemporary. I began teaching traveling to people's homes, and was so fortunate to have many requests and so created a home studio. I was asked to also teach in several towns. I loved and still love teaching and the students themselves. I want the lessons to be a fun and exciting process. I want them to learn. Read More

Sabrina L

Instruments: Voice

Sabrina has extensive pedagogical experience as a Vocal Production / Singing Technique Teacher, teaching to a wide range of skill levels and ages in USA, Israel and Uruguay. Sabrina has taught in Israel at Keshet Conservatory of Music and at her private studio. Read More

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Recent Articles from the Musika Blog

Ear Training for Musicians: A How To Guide

...(m3) Three half-steps away from root- “Greensleeves,” by Unknown   This consonant interval sounds pensive and morose. It’s the foundational interval found in minor chords and can be heard in the introductory pitches of the English folk song “Greensleeves.” The distance from C to an Eb, three half-steps above, is a minor 3rd. Major 3rd (M3) Four half-steps away from root- “When The Saints Go Marching In,” by Unknown   Major 3rds feature a whole and complete sound. They are the foundational intervals found in major chords and their consonant sound signature is found in the opening melody of the... Read More

Warner Bros. and Classical Music: The Anti-Fantasia Movement

...is concerned, Carl Stalling orchestrated arrangements of Rossini, Donizetti, Wagner, and Suppé.   In this clip you can clearly see Chuck Jones having fun at Leopold Stokowski’s expense–and it’s wonderful. View it here   1950: Rabbit of Seville Directed by: Chuck Jones Written by: Michael Maltese   According to Chris Higgins of Mental Floss, “While you watch, note the number of fingers Bugs Bunny has. He’s traditionally drawn with three fingers and a thumb on each hand, but in one shot at 6:17 (where he’s “playing piano” on Elmer’s head), Bugs suddenly has full human hands.”   That’s just one of the many ... Read More

Opera Voice Types

...a young, flirtatious character–watch Claudia Cota performing in Donizetti’s opera, Don Pasquale. The soubrette voice type is also often associated with servant characters, and these roles are often referred to as the “inas” and the “ettas”. This stems from character names such as Despina, Barbarina, Giannetta, Zerlina, etc.   Lyric Soprano. While the lyric soprano may be the most common of the female opera voice types, it isn’t any less beautiful than the more elusive coloratura. Lyric voices have a warmer sound than a coloratura and generally sing complementary roles in an opera—roles that need long, beautiful phrases. To make things even ... Read More

The Importance of Creativity in Piano Lessons

...Creativity in piano lessons allows teaching to be flexible. I dedicate about half of the lesson to the individual needs and desires of the student, and the other half is committed to what I think they should learn.   Why is Creativity in piano lessons important? Creativity is valuable because it requires us to apply our skill with flexibility. Without it, lessons are hardly more than memorization and repetition. Including creative activities in lessons is a valuable assessment of skill because it proves we have a strong grasp of the technical foundations that are applied in the process. Besides facilitating the learning process, creativity ... Read More

Becoming a Music Teacher: A How To Guide

...you register for tests and apply for your certification early. Also be sure to stay in constant communication with the appropriate state office to ensure things are processed properly.   As a future music educator, you’ll likely need to pass a music specific exam to teach. Generally speaking, your education courses should have you adequately prepared for any content you may be tested on. However, state certification tests are notorious for being a little tricky, and it would probably be useful to review test-taking strategies prior to sitting for an exam. Often states will have sample questions or even full tests ... Read More
Ear Training for Musicians: A How To Guide
Warner Bros. and Classical Music: The Anti-Fantasia Movement
Opera Voice Types
The Importance of Creativity in Piano Lessons
Becoming a Music Teacher: A How To Guide

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