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Featured Voice Teachers Near Fairhaven, MD

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Here are just a few of the many teachers offering Voice lessons in Fairhaven . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Juan F

Instruments: Guitar Voice

I tried to do some training on my own with a couple of exercises that are said to improve the voice but that never seemed to work well on me. At that point I started to look for a voice teacher. I went through different teachers, techniques and methods, and learned some good exercises. I felt that I was improving a little but was never fully satisfied. A couple of years later I heard about the Rabine Method or Functional Voice Method. Read More

James S

Instruments: Voice

In addition to over a decade of performing experience, I have acquired eight years of fully funded training from three of the leading programs in the country in opera, vocal pedagogy, lyric diction (Italian, French, German and English), stage craft, acting methods, mime, mask, body awareness, and movement. This experience has equipped me with a breadth of tools and teaching methods that allow me to work successfully with any student, regardless of their experience level or learning style. Read More

Harry W

Instruments: Piano Voice

I see myself as a facilitator, helping students discover new elements of music and music theory and building upon those to create a greater understanding of reading and playing music both for piano and voice. Often i will model by playing a song first so that the student cannot not only hear what is sounds like but observe my technique, finger changes, dynamic ranges, tempo and so on. There are many elements to performing a piece besides just playing the correct notes! Read More

Reginald C

Instruments: Guitar Voice Keyboard

Music theory is very important ... because this will help the student begin to see 'patterns' in their playing, hearing and education of how songs progress through changes, chord progressions, etc. This is most important because students also need to work on music that they hear and love everyday ... particularly consisting of modern and / or pop music. A state of euphoria can be achieved once a student begins to play something that they really love to listen to ... so I always encourage learning to read and play music ... as well as just listening to something and trying to 'pick it out' for fun! Read More

Rebecca S

Instruments: Piano Voice

After finishing school, I began establishing my own studio. In addition to classical piano, I have received two years of collegiate-level vocal instruction. Singing has been a part of my life since a very young age--I believe singing is a wonderful form of musical expression and recommend it to enhance instrumentalists' understanding of phrasing. I also play guitar and have ample experience in contemporary keyboard from church settings. I hope to use all of this experience to provide a rounded music education to my students. Read More

Gregory P

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

I have a vibrant personality and I love teaching, especially when it comes to helping students grasp things where traditional teaching methods have proved to be intimidating or unaccommodating. I have performed in a variety of ensembles and have produced multiple volumes of my own compositions. My musical background is rooted in jazz, funk, soul, and latin music, and my teaching method will tend to emphasize "grooves," with a special eye toward harmony, syncopation, comping, and improvisation. Read More

Jasmine B

Instruments: Voice

For all of my students, I use the Bel canto (beautiful singing) method.Bel Canto is a traditional method rooted in classical singing. I have found this method to work for all students of all levels of skill because it teaches a seamless blend of the vocal registers no matter the genre. It is a method that works most with the Mezzo de Voce (middle of the voice) which in return strengthens the passaggio ( the transition area between the vocal registers). Read More

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