Voice Lessons in Greenwich Village, NY

Instruments: Piano Voice

My mother influenced my life as a musician. In 1969 she encouraged me to audition for the Newark Boys Chorus. I auditioned. I was accepted and sang in choir-school for three years, singing music from Renaissance to R&B. In 1980 I received a BM and MMT from Oberlin Conservatory. At Oberlin I met three great teachers who encouraged me to sing professionally. I pursued the career! Performance highlights are: The Metropolitan Opera, The Met Museum, The Wigmore Hall and The NY Philharmonic. Read More

Instruments: Voice

I started teaching during my time at NYU. An interesting fact about my particular vocal journey is that because I had never really had formal voice training, I was learning vocal concepts from a scientific and theoretical perspective in the classroom while concurrently learning them in my own body and voice in my own lessons. I think this gave my a unique perspective into how our bodies naturally learn and acquire new skills as they relate to singing. Read More

Instruments: Voice

No one student is the same, and I create custom vocal exercises for each student. I will also choose music for students who don't have their own or would like ideas to set them in the right direction. I usually devote some time to teaching sight-reading in my lessons when someone is unsure of how to read music, and the rest of the time will be focused on the actual mechanics of vocal production and performing. Read More

Instruments: Violin Viola Piano Voice

My teaching style is strongly based on the constructivist method of learning. What that means is I prefer to help students by means of demonstrating skills( Left/ right-hand technique, excerpts from music, etc.), to scaffold their learning, and to help them overcome challenges by means of critical thinking and problem-solving. Setting practice goals and also keeping a practice journal is an effective way to keep students on track with their playing development. Read More

Instruments: Piano Voice

I portrayed characters like Maddalena in Verdis Rigoletto, Ciesca in Puccinis Gianni Schicchi, and Suor Infermiera in Puccinis Suor Angelica. The same year, I embraced the role of a 'Witch' in MSM's compelling production of "Dido and Aenas" by Henry Purcell. Looking ahead to the spring of 2024, I eagerly anticipate my role as the enchanting 'Fairy' in Jules Massenet's "Cendrillon," a prestigious MSM production. These diverse roles showcase my versatility and commitment to bringing stories to life through evocative performances. Read More

Instruments: Piano Voice Violin Fiddle

I love to do a combination of Suzuki and traditional styles. I believe ear-training and traditional sight-reading are both crucial to young musicians. I began Suzuki piano when I was five and I'm so thankful to have such a keen ear as a professional violinist. If the student has had music lessons before, I'm very happy to continue teaching whatever method they had previously started with. I believe method should be catered to the student and the student's needs as a beginning/intermediate musician. Read More

Instruments: Piano Voice

I think it's important to be kind but firm. It helps to create clear expectations that allow for a student to be most successful. With private lessons, it is important to tailor the sessions for each student individually. Some students require to a "push" while others might want a more relaxed lesson. Together with students we can set goals and a progress map. It is also important to always encourage students in their learning, regardless of what their pace is. Read More