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Featured Voice Teachers Near Santa Ana, CA

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Here are just a few of the many teachers offering Voice lessons in Santa Ana . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Leah L

Instruments: Piano Voice

I provide Beginner to Intermediate lessons in voice and piano. I am a professional singer/songwriter/recording artist with 10 years of training in voice and 12 years of training in piano. I have a Bachelor of Arts degree in Music Business from Anderson University (Anderson, Indiana) where I studied voice with Dr. Jeffrey Ballard and piano with Professor Ken Chan.By taking voice lessons with me, you will increase your vocal range, learn correct breathing methods and healthy practice/warm-up exercises, and gain confidence in your performance skills, all while singing the songs and music styles YOU enjoy.With piano lessons, you will learn beginner music theory (including scales, chords, time signatures, key signatures, etc.), exercises to increase dexterity, and how to play the songs YOU want to play. Read More

David S. G

Instruments: Piano Guitar Voice

I have a bachelors degree in psychology so I am very sensitive to adapting to the feel of my students. I want to hear your goals, and know what your expectations are. We are a team, and together we will help you reach where you want to go and have a fun time doing so. I am very creative and open for ideas. Also I am sensitive to shyness, something I struggled with in the past myself, so we will work together to find ways to tackle these cool challenges and help you grow as an artist. Read More

Shaharoh C

Instruments: Piano Voice

I am a musician, singer-songwriter, composer with a Master of Fine Arts in music from the California Institute of the Arts, specialization Performer-Composer and a Bachelor's Degree in English Literature from the University of California, Los Angeles. I have been composing and performing music for most of my life and enjoy connecting with all students at all levels and ages. I believe that each of us have different paths and experiences that lead us to expressing ourselves artistically. Read More

Ali T

Instruments: Guitar Voice Electric Guitar Classical Guitar Acoustic Guitar

I have been singing, performing ,teaching and producing music for over 20 years. I have been teaching for more than 12 years now, all ages, and all levels of musicianship. I started as a guitar teacher in 2004 in my home studio, acoustic and electric.4 years later I started giving voice lessons and attended audio engineering master classes in Switzerland.In 2011 I established my media production studio and started teaching Audio engineering as well. Read More

Adrian R

Instruments: Voice

I love seeing my students begin to understand how their mind and body can work together to sing beautifully. It's a treat when a student can begin to execute the necessary actions for singing with a degree of confidence and reliability that they at one point believed was beyond them. My style is one that fosters a student's abilities and is encouraging in their efforts. I make a point to be very thorough and analytical when it comes to how physiological events and mental focus are key to building a framework for this expressive artform. Read More

Kimberly M

Instruments: Piano Voice Keyboard

I will typically get an idea for your knowledge of music fundamentals and then create a custom curriculum for each student. I will allow you to provide me ideas for repertoire which you would like to learn but we will work together to find the perfect fit for you and your current skill level and what I believe will best push you forward as a musician. As stated previously sight reading will be enforced in my studio as well a weekly ear trainings to really appreciate excel you as a musician and your music knowledge. Read More

Serg E

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I began my vocal studies in North Carolina State University with Elvira Green, who was one of the first black Sopranos at The Metropolitan Opera. I continued at Boyer College of Music under the tutelage of an internationally acclaimed jazz singer Joanna Pascale. After moving to Los Angeles, I began a mentorship with Tamara Beatty, who has been a vocal coach on The Voice for 10+ years. After college, I worked as a full-time talent manager in New York City and Los Angeles. Read More

Teacher In Spotlight

Marcus J

Instruments: Saxophone

What does a normal practice session look like for you?
I typically start with the overtone series for warming up. It's sort of a stretch for my jaw muscles before I get into strengthening them. Scales (full range of the horn) to establish technique and control over my fingers. It's important to keep your fingers close to your horn while you're playing even when not pressing down a certain key. The closer your touch, the faster you're able to play. I usually end with playing along to tracks to help with my time and then sight reading a transcribed solo to end.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My major is in Jazz Performance and Composition. I chose this specific major because I was inspired from a live show performed at my school when I was 15. It was a nine piece ensemble with five horns and four rhythm section players. They played some original tunes and some arrangements of some jazz songs that I really took a liking to. Their soloing blew my mind because I had never heard instrumentalist play so well together from memory. Their professionalism and sound quality really drove my interests to the next level.

What is your dream piece to perform and why?
I suppose my dream tune to play over effortlessly would be countdown by John Coltrane because it's upbeat and the changes are quite difficult to interpret. I poses a challenge because to get the speed up to par, you first have to master many techniques and be able to get around your instrument effortlessly without hesitation. The next step is to hear the harmony and be able to make shapes over the changes that make melodic sense. On top of all that, you're interacting with the other band members and trying to create a real connections that's enjoyable and exciting to the listener.

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician, I'd like to think that I'd be in the arts in some other way. Perhaps a painter or cartoonist. I loved art class as a kid but never believed that I could do it for a living so it never sparked my interest as a career, only a hobby. I remember winning competitions for art class and receiving strong grades as well. But as a kid, I always had a dream of becoming an architect for houses. I also still have a desire to give back to the community in some way, maybe as a volunteer fireman.

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Recent Articles from the Musika Blog

Types of Effects Pedals for Guitar

...create simple delay patterns as well as complex sound structures that make the guitar sound like an otherworldly instrument. Paired with a reverb pedal, the delay pedal gives guitarists the ability to construct completely unique soundscapes.       Wah-wah       The wah-wah pedal creates a sound that mimics the human voice. This effect was invented and pioneered by horn players in the 1920’s who found they could create a tone similar to the sound of crying by muting the bell of their instrument. A wah-wah pedal achieves this unique sound by sweeping the peak response of a filter up and down... Read More

Types of Effects Pedals for Guitar

...players activate this pedal while playing guitar solos.       Pitch Shift   We’ve already covered octave pedals, but there are other pitch-shifting effect pedals that can add interesting harmonies to your tone. It’s important to note that pitch shift pedals create synthetic harmonies that don’t tend to sound very realistic. If you’re looking for a tone that precisely matches your own, consider adding another guitarist into the mix or by simply learning how to play the added harmony on your own.     Instrument Modeling     If you’ve ever wanted to make your guitar sound like a piano or organ midway ... Read More

Popular Piano Songs with Easy Chords

...made E I shouted out D “Who killed the Kennedys?” A When after all E It was you and me E D Let me please introduce myself A E I’m a man of wealth and taste D And I laid traps for troubadours A E Who get killed before they reached Bombay B Pleased to meet you E Hope you guess my name B But what’s puzzling you A E Is the nature of my game oh yeah, get down, baby (The previous chord progressions repeat until the end of the song)     “Two Weeks,” By Grizzly Bear     Though it was ... Read More

How to Read Strumming Patterns for Guitar

...the song you want to learn is not always going to be the most efficient way to learn a piece of music. A good deal of your development as a guitar player should be by listening and watching the guitar players you want to sound like. Musical notation is an incredible way to understand music, but it only gives you a general idea of what something sounds like. If you want to learn how to read strumming patterns, immerse yourself in guitar music and imitate what you see and hear. Reading music notation is a great start, but you won’t begin to progress ... Read More

Soloing Over Rhythm Changes

...of rhythm changes is AABA, with each section being eight bars. As with the blues progression, there are quite a few different harmonic versions of rhythm changes. For the purpose of this article, I’ll use one of the simplest versions. I’ll go over alternate versions later in the article. The most basic version of the ‘A’ sections of rhythm changes is: I vi / ii V / iii IV / ii V / I7 / IV7 / I VI / ii V. Immediately we can see some similarities to the blues. The most obvious similarity should be the IV-I resolution. ... Read More
Types of Effects Pedals for Guitar
Types of Effects Pedals for Guitar
Popular Piano Songs with Easy Chords
How to Read Strumming Patterns for Guitar
Soloing Over Rhythm Changes

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