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Here are just a few of the many teachers offering Piano lessons in Frederick . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Saxophone Flute Clarinet
I have my students spend a great deal of time on rhythmic accuracy, scales, and sight-reading. I create my own lesson plans and provide students with a variety of instructional materials. Students begin each lesson with rhythmic drills and scales with gradual increases in difficulty levels. I prefer using Rubank method books and the Klose Complete Method for the clarinet. Students are always free to bring in music from their school band program and/or solos and etudes of their choice. Read More
Instruments: Piano
I am a dedicated educator that believes in my student's achievement. During my graduate studies I had the opportunity to educate myself in various styles of teaching. Today, I use traditional music education tools with my students with elements of the Russian conservatory style of learning that developed fine pianists like Rachmaninoff, Prokofiev and Shostakovich. Student's in my studio can perform at entry level up to college skill. I am able to teach students who are advanced and interested in taking piano to new heights. Read More
Instruments: Piano Clarinet
For all students I strongly encourage an appropriate level to begin with. I am very familiar and prefer to teach with the James Bastien series. This series come with the appropriate assigned age level. There are four books with each level. A technic, theory, performance, and Piano. While progressing through that level I mix in to teach Major, Minor, harmonic minor, and melodic minor scales for theory and fundamentals. Other than this specific material I like to match personalities along with solos and other fun activities! Read More
Instruments: Piano Voice
She is a newcomer to the DC area, and has previously lived, sung, and taught in Illinois, Indiana, and Vienna, Austria. Melissa has performed on both the undergraduate and graduate level (and beyond). Her experience includes operas, operettas, recitals, musicals, and choirs. She has performed in venues ranging from the Indianapolis Opera to the Notre Dame cathedral in Paris. Over the years she has performed in the United States, Canada, England, France, Italy, Germany, Switzerland, Austria, Russia, Lithuania, Latvia, Estonia, and Finland. Read More
Instruments: Piano Voice Drums Synthesizer Banjo Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Djembe
For beginning students who are children, I typically start with an intro Piano or Drum Method. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Mike began playing at age 7 on both piano and drums and started performing at age 14. Later he studied voice in college and picked up the banjo as another instrument to have in his repertoire. Read More
Instruments: Piano Guitar Drums Organ Conga Music Keyboard Djembe Acoustic Guitar
Mark has composed hundreds of pieces of music, including a Sonata for Vibraphone, and Guitar, numerous pieces for the various world famous acts, and groups that he has worked with over the years He has also been responsible for lyrics, and arrangements for live shows, and recordings that have included the most recognizable names in the popular music world. Mark served as the Musical Director of The Ben E King Stand By Me Foundation for five years. Read More
Instruments: Piano Guitar Voice Cello Music Electric Guitar Acoustic Guitar
My teaching style is informed by trauma-informed care and a student-led philosophy. This means that I take into account the frustration that learning a new instrument can entail, and use therapeutic techniques to make sure my students are regulated during these moments of frustration. I provide structure and guidance for my students, but give them opportunities for free exploration, decision making, and leadership throughout a lesson. During lessons, I like to emphasize practice techniques and thinking outside the box when approaching difficult or new musical content. Read More
Instruments: Guitar Bass Guitar Ukulele Mandolin Lute Music Electric Guitar Classical Guitar Acoustic Guitar
What does a normal practice session look like for you?
Normally I practice anywhere from 4-6 hours per day, depending on the day. Prior to practicing I do a few stretches to help relax my entire body. Then I look over the music before even touching my instrument and count the rhythms of each voice aloud. Then I sing the voices in my head or aloud. After that I take a note of how I expect the phrasing of the passage to be and identify areas where the technique might be difficult. Then I begin working out fingerings for each measure and practice it very slowly to train my muscle memory for the passage. Then I turn on the metronome and begin working with it to ensure that I am playing everything rhythmically accurate. Once all that is done for the entire piece I begin working sections of the piece slowly and with the metronome until it's committed to memory. Then I play the piece slowly without the metronome and speed it up to rhythm. After each "performance" I look back to the music and figure out where I stumbled, or what I want to be clearer, or anything of that like.
What do you think is the hardest thing to master on your instrument?
There is a myriad of techniques that are very difficult to master, things like tremolo, cross string trills, artificial harmonics, tambora, tremolo rasgueado, and etc. But the largest hurdle I see most guitarists struggle with is the "Barre" a technique in which the performer holds many strings down with the index finger. I've seen many fail to learn it, and I've seen many play it incorrectly. Personally it took me a long time to get used to the technique, but I have a surefire way of teaching it so that the student will master it in no time!
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I recommend two of them: Scott Tennant's "Pumping Nylon" and Pepe Romero's "La Guitarra". These are not necessary at all to begin lessons at any level. I can supply free resources that are great for learning. Mauro Giuliani's Right Hand Studies, and etudes by Matteo Carcassi and Fernando Sor.
What musical accomplishments are you most proud of?
Aside from my many performances with Pepe Romero, my big accomplishments personally are having performed many of my arrangements of famous piano pieces for guitar. I've arranged something like 300 pages of music for guitar ensembles, solo guitar, guitar and piano, guitar and violin and etc.
Have any of your students won awards or been selected for special honors? How have they succeeded?
To be completely honest, I have not had many students. The one student I did have for a few months moved on to play in several church bands and continues to play and love the guitar to this day.
Why did you choose your primary instrument?
Before I made the switch to classical guitar, I played a lot of acoustic guitar -- mostly folk. Then I heard a music video by a guitarist named Michael Lucarelli on youtube, and decided that I needed to learn how to play that kind of guitar. I searched all over Louisiana looking for a teacher that could help me in learning this gorgeous music, but very few had any inkling of how to play. That's when I discovered Mr.Patrick Kerber, who is a true master of the instrument and he helped me immensely.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Frederick to students of all ages and abilities.
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