Voice Lessons in Street, MD

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

Later on, students will learn to read music in-depth--not merely replicating what's represented on the page exactly as-is, but with a broader and deeper understanding of the movements and relatativities taking place within the music, while building an ability (and feeling of mobility) to experiment with re-harmonization, substitutions, and alterations of all sorts. Especially at beginner levels, students often are flooded with an endless stream of lifeless representations, scales, formalities, technicalities, and special names, and as a result, their interest becomes stifled. "Music" comes to mean a drab exercise with an authority figure instead of the rich, profound, imaginative, vibrant, feeling, potent, and meditative social being that it can be. Read More

Instruments: Piano Guitar Voice Keyboard Electric Guitar Acoustic Guitar

I love seeing my students getting involved with music and having a passion for it. I try to encourage my students so that helps them to progress and feel like they have accomplished there art. I try to set goals each lessons. I give homework. I like to see my students practice and do homework I give out. On the next lesson we will review what they practiced. It's important the student goes at his or her own pace. Read More

Instruments: Piano Voice

I've taught students of all ages, five(5) and up, and abilities for more than 30 years. The curriculum at N.A. Rimsky-Korsakov Children's Music School in Mykolaiv helped me prepared my students for earning high scores on their academic music examinations, participate in annual national music competitions and programmed regional music recitals , with several of my students winning first place awards and continuing their pursuit of becoming a musicians at the post- secondary education level. Read More

Instruments: Voice

For students who are starting off, no matter their age, I will first test their range so that I know what I am working with and then I will test how well they can match pitch. If they struggle with matching pitch I will then run exercises with them where we will start going over solfege in simple patterns so that they can start developing their voice and an understanding of pitches and a scale. Read More

Instruments: Voice

My teaching experience dates back to around 2017 when I first took a class in vocal pedagogy. In the class, I learned about the inner workings of the voice, the musculature and how to properly teach voices of any age. Since then, I have been working diligently to relay the most valuable information from my own teachers to my own students including proper breath support, open throat singing, and above all, having fun while doing so. Read More

Instruments: Voice

I prefer to start with vocal techniques such as efficient breathing, posture, diction, and overall vocal warm ups. This gives me a gage of what my students learning style is. Also, this gives me an idea of what the student needs to progress in a healthy singing! I typically start with a students favorite song within the genre theyre most interested in. I believe that a student will work to the fullest if they are truly passionate about the work they are learning. Read More

Instruments: Voice

I am a member of the National Association of Teachers of Singing (NATS), the Pan American Vocology Association (PAVA), and the Voice Foundation. As a performer, I have sung in many opera houses and theatres across the country as well as in Germany and Italy. My voice has been described as “ebullient” in roles such as Figaro in Le Nozze di Figaro, Leporello in Don Giovanni, Dr. Dulcamara in L’elisir d’amore, Méphistophélès in Faust, Caspar in Der Freischütz, and Sam in Trouble in Tahiti. Read More