Bass Lessons in Annapolis Junction, MD

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

I'm a self-taught guitarist/bassist who has been playing for over ten years. I have worked at a music recording studio for the past two and a half years with artists of all genres. I've been playing in bands since I was fifteen, lots of metal and rock, but some new wave, post-rock, and ambient groups as well. I've had plenty of live performance experience, playing around Baltimore and Annapolis at venues such as the Ottobar, The Recher, The House of Rock, The Sidebar, The Metropolitan, and Union Jacks, among others. Read More

Instruments: Piano Guitar Violin Cello Clarinet Drums Bass Guitar Synthesizer Ukulele Mandolin Recorder Lute Double Bass Mallet Percussion Conga Latin Percussion

I have been teaching private lessons for 10 years. Encouraging students to practice regularly and to have fun with their instrument is essential for the learning process. I stress the importance of these two things so that the student may develop a love for music and their instrument of choice. Also, being able to teach a variety of musical styles keeps students wanting to learn. I encourage students to not only learn written pieces, but to create their own music and individual sound. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Harmonica Music Keyboard Electric Guitar Acoustic Guitar

If I recommend a piece that the student does not enjoy playing or is too difficult for them, I will accommodate their choice and give them a piece that better suits the student. For non-beginning players, I will look at the pieces they are already playing, and assist them in skills that still need work on their piece. After the piece they are already working on is better, I will assign more pieces and studies that will not only help them with skills that need work, but also improve the skills they are already great with. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

I have a vibrant personality and I love teaching, especially when it comes to helping students grasp things where traditional teaching methods have proved to be intimidating or unaccommodating. I have performed in a variety of ensembles and have produced multiple volumes of my own compositions. My musical background is rooted in jazz, funk, soul, and latin music, and my teaching method will tend to emphasize "grooves," with a special eye toward harmony, syncopation, comping, and improvisation. Read More

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

I don't take a one-size-fits-all-approach to my students. Children and adults have different needs. Even among children, the needs of a young child vary greatly from those of a teenager. I will use method books where appropriate, particularly with young children, but I've found that a more creative approach tends to lead to students having more fun, accomplishing more in the long run, and developing positive associations with learning a musical instrument. Read More

Instruments: Bass Guitar

I thoroughly enjoy seeing students progress, and the main ingredient in progression is practice! I try to make sessions memorable and keep the content engaging so that students can carry that with them throughout the week. I find if students aren't engaged in what the current task is, they will find it difficult to move forward and progress through their learning process. The main way I do this is by finding a tangible goal that a student can achieve week by week or month by month and having that be their motivation. Read More

Instruments: Guitar Bass Guitar Keyboard Electric Guitar Acoustic Guitar

That was certainly the case for me! My parents started my violin lessons at the young age of four; by the time I hit twelve, I was no longer content to play classical music. Discovering funk and rock & roll, picking up a guitar, and falling in love with the instrument meant that within months, I was spending more time voluntarily practicing my new instrument than I'd ever spent on the Suzuki Method. Read More