Cello Lessons in Boston, MA

Instruments: Piano Cello Trumpet Trombone Flute Clarinet Double Bass Euphonium

I love teaching beginners of any age including special needs students. Most importantly, I will help you learn to play the music you LOVE and stay motivated. I specialize in Adult Beginners and am happy to teach students aged 9 to 109! I worked as a professional musician in New York City for several years and played in numerous Salsa bands, a Ska band—and small classical groups.    I also led a group called The Triple Trouble Trombone Trio and a 12 piece Salsa band called “Profundo” as well as a 9 piece Salsa/Middle Easter R&B Hybrid band called “Havana Gila” Read More

Instruments: Cello

I primarily use Hal Leonard's Essential Elements books for all of my beginner and intermediate students, and for adult students, I supplement them with Gabriel Koeppen's Cello Method books. For more advanced students, I will work with their current repertoire to determine what skills they can further develop by assigning them new and more challenging pieces or etudes (such as Popper or Piatti) based on their needs. I assign all of my students age and level-appropriate pieces at regular intervals in addition to their books or etudes, ranging from short and simple pieces to highly technical showpieces or concertos. Read More

Instruments: Cello

I am a younger instructor who is very excited and passionate about the inter- and intra-personal aspects of music and teaching music. First discovering my love of performing and problem solving through chamber music, I have since received a dual degree from UMass Amherst in Music and Social ThoughtPolitical Economy, and I am now pursuing my Masters of Music in Cello Performance at Boston University. One of my biggest challenges and fascinations with music has been how to balance efficiency and honesty with kindness and graciousness in working with others and myself, and it's something I love to explore with my students. Read More

Instruments: Cello

I am a cellist currently living in NYC, and have am experienced in performing, recording, and teaching experience. I graduated from Berklee College of Music in 2014, where I received my Bachelor's degree in cello performance. There, I studied classical, rock, folk, and improvisation on the cello. I've had the opportunity to play in Boston's Symphony Hall, as well as many other venues in the city. In 2014, I recorded cello for the Documentary Watchers of the Sky, premeired in the Sundance Film Festival, and from July to October, I performed with the Anna Myer Dance Company in New York City and Boston.    From January- March 2016, I was the cello teacher for the Enriching Lives Through Music program in San Rafael, California. Read More

Instruments: Piano Guitar Cello Bass Guitar

I always try to guide my instruction in a fun and engaging direction to keep the student interested and motivated to get better. I am able to do this by being energetic and enthusiastic about my teaching and I feel its important to make the material matter to the student. When a student has confidence in their abilities they are able to achieve much success on their specific instrument. As I also previously mentioned, getting to know what inspires a student and knowing them on a more personal level helps develop a better student/teacher relationship and thus yields a better outcome on the instrument. Read More

Instruments: Violin Cello Viola

Also performing in concerts gives them goals to work for so I try to have my students to perform at some assisted living places and more several times a year and the more they perform usually the better they improve. It can be encouraging to see that others make mistakes too and that noone is perfect. I like students to learn how to read as soon as they can, but I honor the suzuki idea that it is good to learn to play the first few pieces by ear so listening does not get lost in learning to read. Read More

Instruments: Cello

I do not use any particular "methods" of teaching, although I did begin out on Suzuki. And while I do believe this is an important methodogy, Suzuki does have its flaws as do most of its kind. As I mentioned earlier, theory, harmony, and music history (as rudimentary as they may be at the beginning) are crucial for all students regardless of their level. The more one knows about the piece, the easier it will be to interpret and understand what the composer is asking for. Read More