Clarinet Lessons in Pelham Manor, NY

Instruments: Piano Saxophone Flute Clarinet

I had a very unique opportunity to be mentored by the legendary drummer/bandleader/NEA Jazz Master Chico Hamilton. I spent a lot of time with him on and off the stage. I was observing and loving all of these moments on tour and in the studio. I learned so many things from him, most importantly what it means to be a teacher. In order to teach, one should never stop learning. Read More

Instruments: Clarinet

Here is the break down of what you will be expected to learn in addition to a solo of your choice. You will also be assigned warmups that will help you to focus on your breath support, embouchure, and finger study. Beginners- Basic knowledge of breath support, embouchure training, and finger study 12 Major Scales (one octave) Intermediate- Knowledge of breath support, embouchure training, and finger study Knowledge of how to break in and manage reeds 12 Major Scales (2 Octaves) and Chromatic Scale Scales in Thirds Etudes- Velocity Studies for Clarinet Intermediate (Kalmen Opperman) Advanced- Knowledge of breath support, embouchure training, and finger study and extended techniques. Read More

Instruments: Clarinet

I began teaching clarinet to beginners in high school, and 9 years later I maintain a small studio ranging from beginners learning fundamentals, to advanced high-schoolers preparing for college auditions, to masters students seeking supplementary lessons. My students have come from North America, Asia, and Australia. As a professional musician, I have performed in the United States, Germany, and Austria, and I have played with orchestras such as the Eugene Symphony Orchestra, Newport Symphony Orchestra, training ballet orchestra OrchestraNEXT, Clackamas Repertory Orchestra, and with school groups including HfM Trossingen Hochschuleorchester and University of Oregon Orchestra and Wind Ensemble. Read More

Instruments: Saxophone Flute Clarinet

My lessons vary from student to student, but are generally comprised of two parts. The first part involves working out a method book or classical etude book, depending on the level of the student. I believe that working out of a book is a great way to cover many of the fundamental bases of being an instrumentalist, such as reading music, developing technique, developing a good sound, playing with good rhythm, etc. Read More

Instruments: Piano Saxophone Flute Clarinet Recorder Music Keyboard

Over the course of many years, I've developed a method for beginning piano and woodwind students which yields excellent results. For the first series of lessons, I want the student to become comfortable in understanding the keyboard or the wind instrument, avoiding the secondary interface of sight reading. There are about twenty short, simple, basic songs I have the student master. At this point, not only are we working on understand the harmonic and melodic "hardware" of the keyboard or horn, but we are developing proper technique in terms of hand position, posture and sound as well as a natural rhythmic feel. Read More

Instruments: Saxophone Flute Clarinet Music

I teach begginers to professionals. On saxophone I empathize what I have learned from everywhere but especially Joe Allard, his methods have proved to be exceptional in getting a desirable sound and achieving technique on the saxophones. Tone and harmonics are essential for saxophone. i have been teaching in my home studio for over 10 years. Living in NY I help students prepare for NSYMA. Last year I had two students at level 5 one scored a 99 the other a 94. Read More

Instruments: Saxophone Flute Clarinet Music

While Joey loves to preform, he is passionate about teaching. He has been teaching since 2011. His teaching career began through the non-profit Bravo Waukegan in their Bravo Buddies Summer Camp. He began as the woodwind instructor and through the years worked to become the Artistic Director, managing all aspects of the month long camp. Joey has also served as the Director of Bands for Sistema Ravinia in Lake County and has worked as a teaching artist with the Chicago Jazz Philharmonic and for the Boston Philharmonic Orchestra. Read More