Drum Lessons in Boyle Heights, CA

Instruments: Piano Drums

My teaching style is very Freddie Gruber, if you don't know who that is I recommend you look him up on youtube! I believe in motion. In understanding the motions your body has to make and repeating them like an athlete to get the same sound on the drum every time you hit a drum. In sitting down to play and not be nervous you will mess up, but love the fact that you will mess up and it's okay and part of this process. Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion

I am a huge advocate of using differentiated instruction. Each student progresses at their own pace, and I completely cater my lesson plans to each students' wants and needs. I use a system of short term and long term goals, so you will see immediate results while simultaneously working towards a more difficult long term goal. One of my main goals as a teacher is to make the student excellent at practicing. Read More

Instruments: Drums Orchestral Percussion

I'm a professional musician who enjoys working with students and passing along my knowledge of the arts. In 2013 I graduated from the University of Evansville with a Bachelor of Arts degree in Percussion Performance and a Jazz Studies Certificate. During the summer of 2013, I attended New York University's Broadway Percussion Seminar and took private lessons on Timpani and sight reading. In 2015 I received my certification in the operation of Pro Tools in a recording studio and a degree in Contemporary Drum Performance from the Los Angeles College of Music in Pasadena. Read More

Instruments: Drums

I began teaching early into my drumming studies when my teacher asked me to fill in when he wasn’t available. That made it easy for me to relate to my students and my love of teaching grew alongside my love of drumming. I have studied the drums with William Lyons, Mark Schulman (Pink, Foreigner), and Zoro (Lenny Kravitz, New Edition). I have toured and recorded with a variety of bands and won the “Electronica Drummer of The Year” at the L.A. Read More

Instruments: Piano Guitar Drums Bass Guitar Acoustic Guitar

When teaching beginners, especially kids, I find it easiest to have them learn songs that they already enjoy. This often involves learning the chords within the songs and allows us to start focusing on a strum pattern as well. If this seems daunting, sometimes we learn only the abridged or quick version of a song. I always like to start entry level students with the intro to "Come As You Are" by Nirvana. Read More

Instruments: Piano Voice Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Djembe

I am strongly influenced by Latin American culture and that is why I have been learning all the traditional music from severals countries. I had played in numerous ensembles including: Cambamberos Colombian music ensemble (Brazil),Orquestra de Berimbaus Paraguassu (Brazil), Tambora female South American music (Brazil), Trio Acstico de las Americas (Brazil), Chacombo Afro-peruvian ensemble (LA), CalArts Salsa Band (LA). I had also played in several drumming ensembles, performing mostly in parades and shows including: Bloco Ilu Oba de Min (Brazil), CalArts Brazilian Drumming Ensemble (Los Angeles), Comparsa Medio Mundo Afro-Uruguayan tradicional drumming ensemble (Brazil), CalArts Brazilian Drumming Ensemble (LA), CalArts World Percussion ensemble (LA) One of my biggest passions is to perform in theater and circus productions. Read More

Instruments: Drums Orchestral Percussion

I primarily use original material when I teach, but occasionally Ill work from standard method books such as Stick Control, Master Studies, and Syncopation, or assign pages from more recent books like John Rileys The Art of Bop Drumming. Ill also pull out books specifically for sight reading such as Anthony Cirones Portraits in Rhythm. For beginning and intermediate students I focus on fundamental technique, basic sight reading skills, and drum set playing (independence/coordination of the limbs, relaxation and balance, time and groove, fills and solos, introduction of musical styles, etc.) For advanced students I get into more conceptual and creative aspects of playing the drums, but I also introduce the Spivack/Wilson technique which I learned during my studies with Murray Spivack and Richard Wilson in the 1980s [check out the 4-part series featured in Modern Drummer magazine in 2011-2012]. Read More