Voice Lessons in Lyon Village, DC

Instruments: Piano Voice

Melissa started teaching during her senior year of college when she took her first vocal pedagogy course. Teaching has been an important part of her schedule ever since. Over the years, she has taught privately, through various community schools, through several national companies, and she served as a Graduate Teaching Assistant at Illinois State University for two years. Thus, she has experience teaching all ages and skill levels. Her students have ranged from beginners to university music majors, from age 3 to age 72. Read More

Instruments: Piano Guitar Voice Keyboard Electric Guitar

Regardless of the instrument or competency level, I always incorporate ear training, music theory exercises, and games into each lesson. With the help of method books, videos,.and group sessions, I cater the curriculum to each student's strengths and weaknesses. Live performances are crucial to fully understanding any instrument, and so I encourage my students to perform live as much as possible--and I help them find those opportunities. I also make sure each student is well-organized and keeps a log of all assignments, so students (and parents) can track their progress. Read More

Instruments: Piano Voice

For my vocal students, I start with vocal exercises every lesson and allow them learn to vocal techniques through different vocal exercises. Then I work with my students on the repertoire that they are interested in or repertoire that can help them practice their weak spots. For my piano students, I use many different series (Alfred's, Faber, or some classic repertoire) depending on their level and age. For all students, I will also include music theory when I teach because the students will have a stronger foundation with all of these components, which will enable them to learn better, faster and even by their own. Read More

Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music Keyboard

My materials and methods differ depending on the pupil's age/ability. For a young 11 year old beginner, homework assignments will begin with the instrument itself, and then eventually Book One of any method book desired. Popular practice dictates good results with books like Yamaha and Standard of Excellence. For middle-level ability (middle school / early high school), the Rubank series is perfect. Finally, with middle and above levels; solos, ensemble work, duets, and additional etude books will be used. Read More

Instruments: Voice

Learning to sing is a rewarding and worthwhile endeavor and I approach my students individualistically. I assign my student vocal exercises and repertoire and provide clear and thorough instruction to keep lessons fun and engaging! I challenge my students to practice and perfect the assigned homework and songs so that we may keep improving every week.  Through the years, I have built a vocal technique from the ground up which has allowed me to teach and guide students in their own journey in singing. Read More

Instruments: Piano Voice

Practice Makes Progress! My studio of aspiring musicians of all ages strives for the motto I came up with as an alternative to the popular, yet technically impossible and anxiety-inducing Practice Makes Perfect. I am a dedicated professional singer in the DC Metro area, and I operate Hannahs Music Studio as a way to share what I have learned through my many years of music studies and performances. I have had the opportunity of performing multiple operatic roles in Italy and San Marino, as well as during my Bachelor of Arts in Music degree for Vocal Performance at Luther College (2017), and during my Master of Music degree in Vocal Performance and Opera at the University of North Texas (2019). Read More

Instruments: Voice

Each student has individual strengths, weaknesses, physical and emotional needs and goals for their singing, and it is my responsibility as a teacher to meet students where they are. By facilitating a safe and low-pressure learning environment during a lesson, the student is free to explore their own abilities, experiment through trial and error, and fully flourish on their singing journey. I believe good technique is best discovered through the diligent study of scales and vocalises, which are then incorporated into whatever repertoire they are interested in working on. Read More