Voice Lessons in Scandia, MN

Instruments: Voice Trumpet

For beginner trumpeters, I typically start with Hal Leonards Essential Elements and then slowly transition into solo repertoire that suits their skill set as they make it into the intermediate level. As advanced players, we will focus on refining skills with drill books as well as work on standards in solo repertoire. For my vocal students, we will always work on range and flexibility exercises as well as vocal repertoire from multiple genres that suit the skill level of the singer. Read More

Instruments: Guitar Voice

I try to find out what inspires students most to learn singing. This gives me a clearer picture of what skills they wish to attain and I can gently push them toward their goals. I give positive encouragement and clear constructive feedback, so that my students can develop their ear and abilities to self-correct as time goes by. Many things go un-noticed until a voice specialist can point it out. Read More

Instruments: Piano Voice

Lesson plans are catered to the needs and level of each individual student. For younger students with maturing voices, I generally work on basic technique like breathing and posture. I will teach solfege and simple songs that help develop the young singer's ear and a relationship to their voice. For more mature voices, typically above the age of 16, I begin to approach more technical areas of singing like vowel formation, breath energy and management, agility, legato, vocal registration, and a more detailed understanding of the physical anatomy behind singing. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Banjo Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I use generally use Faber and Faber for piano and the Yamaha method for guitar. However, each student learns differently therefore I like to meet and assess the needs before choosing a course to follow. For band students, I use the school's chosen method of instruction supplementing with theory, technique and performance pieces. For piano students, I get to know each student's taste in music and choose accordingly. I encourage my voice students to learn a varied repertoire of classical, folk songs, Broadway and pop if they desire. Read More

Instruments: Piano Voice

My teaching experience dates back to my college days, as I began teaching private lessons part-time many years ago while learning piano at University and working in children's creative center. I began to teach students in my home studio. Working in Musical theater, I gained more experience teaching piano and voice, accompaniment to ballet classes and theatrical plays. My students participate in awards and honor recitals throughout the year. I have taught piano and voice lessons for over 25 years. Read More

Instruments: Voice Saxophone Clarinet

For students of all levels, I emphasize the fundamentals. No matter what style our focus is in, the development of scales, chord progressions, modes and technique patterns are universal. I incorporate solo literature early and often and work with the students to play the music that they listen to every day. We develop the students ear through weekly memorization of music the student enjoys on a daily basis. This allows us to branch into more advanced literature with a deeper understanding of what makes a style, a style. Read More

Instruments: Voice

I have been teaching private voice lessons for 5 years. For 2 years starting in 2017, I worked as a graduate voice assistant at the University of Minnesota where I taught vocal methods in a classroom environment, as well as private lessons to a studio of 18+ students. I am most experienced teaching young adults, though I am comfortable with any age group. I received training from the University of Minnesota and am familiar with a variety of pedagogical approaches. Read More