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Featured Guitar Teachers Near Fontana, CA

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Here are just a few of the many teachers offering Guitar lessons in Fontana . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Forrest P

Instruments: Guitar Trumpet

I love sharing my knowledge of trumpet and music with students as well as inspiring creativity and the desire to learn. I believe it is mostly up to the student to teach themselves, I simply show them how to do this in the most efficient way. There are countless method books to choose from and most of them leave out the most important details of how to actually practice and get results. Read More

Jorge G

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Drums Bass Guitar Synthesizer Accordion Ukulele Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

I started giving Music lessons 20 years ago. I began giving private lessons and group lessons part time in the afternoons after I finish school in the mornings. Young students come to me asking me for lessons after a Gig or performance. I found very interesting and exiting to see the progress of the students with my own personal methods. We follow a process with disciple but we also have fun and we go to the direction that the student feels more attracted. Read More

Justin R

Instruments: Piano Guitar Violin Viola Bass Guitar Ukulele Mandolin Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I have also excelled as both a teacher and a tutor. In 2011, I began my own business teaching piano, strings, composition/music theory and electronic music production. Additionally, I have set up sound and instrumentation for orchestras and bands including Trey Anastasio of Phish and The National Chorale at Lincoln Center and has performed at Carnegie Hall. I also do string-instrument repair and maintenance. While working as an administrator at the NJ Workshop for the Arts, I was given many opportunities to step into leadership roles, both as administrator and educator. Read More

Jordan G

Instruments: Guitar Bass Guitar

I began teaching guitar in high school while working at a local music store. I also recieved class credit by going to other schools in the county teaching classes in their music departments. After high school I concentrated on furthering my own muisc education. So I packed up and moved to Hollywood to attend the prestigous Musicians Institiute. After receiving my AA degree from MI I pursued teaching again, teaching at various music schools and in my own home studio. Read More

Armen Y

Instruments: Guitar Violin Bass Guitar Electric Violin Acoustic Guitar

Classes are customized per the student's individual needs. For some students, this means a standard repertoire: Schradiek, Scevcik, Hrimaly for violin. Hanon for piano. But for others, they would do better with a less formal approach. In all cases, the use of the ear is fundamental and primal. We will learn how to hear, and how to listen for timbres and intervals. (Basic interval training will be a part of everyone's lesson, as there's really no way around that.) Some students are intimidated by the classical repertoire, and the demands the classical tradition places on musicians. Read More

Derek M

Instruments: Guitar Electric Guitar Acoustic Guitar

Having received my first guitar on my 18th birthday, I never looked back. My initial interest in blues and rock music moved to include jazz and I took lessons from a professional jazz guitarist near my home in Kentucky. After several years of practicing 8 hours a day, I furthered my education with an AA in guitar performance from G.I.T. in Hollywood. Having tutored fellow students and taught privately, I am experienced in teaching all skill levels and genres of music. Read More

Derek B

Instruments: Guitar Cello Bass Guitar Ukulele Mandolin Acoustic Guitar

I am a 32 year old musician. I grew up playing the cello, starting at age 5. I picked up other instruments as I grew older and eventually went to a conservatory. I have performed in a wide variety of contexts throughout my life including professional symphonies and popular music ensembles. I have taught private lessons for 10 years in schools, my studio and in students homes. I have taught all ages and am comfortable with young children. Read More

Teacher In Spotlight

Patrizio B

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

How do I know if my child is ready to start lessons?
If your child has not developed the necessary strength to hold an instrument, practicing will be of little avail as they need time to mature. However, regardless of when they can start, I would highly recommend that you have them get started with exposing them to all different types of music. This is especially true if your child is anywhere from third trimester to 2-3 years of age where they can either harness or "prune" off the natural born ability to hear music with what's been called absolute pitch or perfect pitch recognition. Plus, listening to music will inspire them to learn more about the subject giving them a great advantage that I never experienced in my early years. Help them out; it's really darn important to get them involved ASAP!

When will I start to see results?
If all goes well, the first day you should have seen and felt elevations by way of building passion and desire to learn and gain more from your future experiences. However, just as many people fail in many other endeavors in life, it is possible that if no efforts are made, that you will not see results, EVER! That's right, why not address the elephant in the room, which is to say, you will learn in due time that the student is the best teacher. As my favorite teacher and professor passed on to me his phrases, I will forward them to you: Embrace the Process, Trust the Process, Enjoy the Process!

What advice do you have about practicing effectively?
Being efficient is a product of acquiring and honing various tools. Over time they will allow you to master any type of music with ease and great enjoyment. There's a long list of tools that I, or any competent educator for that matter, can offer you. It's important to use one tool at a time for maximum benefit. Three of the most effective tools I have come across for simple mastery thus far: is singing all of the melody, singing the harmonic layers separately - but treated like a melodic line, and singing the bass. It is important to note that while singing, we must have a clear musical intent in mind so as to transfer this musicality to our instruments. The final tool, for now, is practicing v e r y s l o w l y. It should seem meditative. While being fully aware of mind and body, we can pinpoint the errors of our understanding greatly with this tool. Overall, if you give time and effort, in an accurate and consistent manner, and rotate the use of these tools, over long periods time but broken up in small manageable goals, one can achieve a staggering amount of progress in minimal amounts of time. It's fun to practice getting better! From my experience, I highly recommend having a dedicated teacher to help teach and develop these tools with the student.

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Recent Articles from the Musika Blog

Violins for Beginners: To Rent or to Buy?

...left hand. Drooping the violin leads to poor tone production, and can develop into repetitive stress injuries like tendonitis and strained muscles. Clenched hands also lead to repetitive stress injuries, and they prohibit the violinist from learning some of the basic techniques, such as vibrato and comfortable shifting. Musicians get injuries all the time from poor musical techniques. The more you can do to prevent injury, the better the chances are that your beginner violinist will have success in his or her musical career (even if it lasts just a few years). Will a student ‘grow into’ an instrument? Yes. Of course. But... Read More

Classical Music Siblings: Famous Brothers and Sisters Through History

...a singer who helped out her father. Child number two, Wilhelm Friedmann Bach (1710 – 1784), became an organist and was the teacher of Johann Gottleib Goldberg. Bach’s fifth child, Carl Philipp Emanuel Bach (1714 – 1788), originally studied law. But music won out and he became a famous clavier performer in the classical style – and wrote over 300 compositions for his primary instrument. Elisabeth Juliana Friederica Bach (1726 – 1781), who was Bach’s eleventh child, married J. S. Bach’s pupil, Johann Christoph Altnikol. In addition to being a music student, Altnikol served as J. S. Bach’s copyist and ... Read More

Jazz Scales: The Whole Tone Scale

...and retain information is to learn the process of learning that information. Okay, so hopefully you have a guess of what chord works with the whole tone scale. If we assign a scale degree to each note in the whole tone scale, we get 1, 9 (2), 3, #11 (#4), #5, and b7. If we stack these scale degrees to create a chord, we get 1, 3, #5, b7, 9, #11. So, the whole tone scale can be played over a dominant 7th or 9th chord with a sharp five and sharp eleven. Occasionally, you’ll see an augmented triad (1, 3, #5). ... Read More

Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...know that it is a very necessary part of becoming and being a successful jazz musician and a very beneficial and rewarding part of being a musician in general. I have met very talented classical musicians that do not possess the skills to be able to fluently transpose and play in all the keys comfortably. I have met musicians who only know to play “Happy Birthday” in one key, if they know it at all. If you ask them to play it in a different key, they can’t; or they would have to practice it. Likewise, there are some musicians ... Read More

Why Drummers Use Stick Control

...slowly just because you feel like you’re shredding! Furthermore, there are a number of exercises utilizing triplets (and later, other tuplets), and it is imperative that a metronome be used to ensure learning accurate execution of these. Of course, Stone’s recommendation that each also be practiced “open to closed”, or in other words, beginning an exercise slowly and gradually increasing speed to your maximum and then back again- which must be done without the metronome- is extremely valuable.   Similarly, each exercise should be practiced at a wide variety of dynamics, and for similar reasons: it is far more difficult for the ... Read More
Violins for Beginners: To Rent or to Buy?
Classical Music Siblings: Famous Brothers and Sisters Through History
Jazz Scales: The Whole Tone Scale
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys
Why Drummers Use Stick Control

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