Music Lessons in Metairie, LA

Instruments: Saxophone Clarinet

To become free as an improviser requires having a vocabulary in the particular language that you want to communicate with, and also the confidence to do so. So much of improvisation is negotiation with your fellow musicians. I love to help students how to be active and responsive in the musical conversations with others by improvisation games, call and responses, leading vs. accompanying, and more. Apart from building up the students' confidence, and their individual musical voices, their vocabulary, and technical skills, it is my highest goal to equip students to bring joy, beauty, and depth to any musical performance. Read More

Instruments: Guitar Voice Bass Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

-Ear Training for today's musicians - Berkle Press (Steve Prosser) -Acordes, Arpejos e Escalas para violo e guitarra (Nelson Faria) -Violo Amigo - Edino Krieger, Srgio Barboza (Turibio Santos) -Pumping Nylon - The classical Guitarists Technique Handbook (Nathaniel Gunod) -The Guitar works of Baden Powell (Volume 1-9 Pieces) -18 lessons to Sight Reading Success - A singer's Guide for Sight Singing Independence -First 15 Lessons - Voice: A Beginer's Guide featuring step-by-step lessons with audio, video and popular songs Read More

Instruments: Piano Clarinet Music Keyboard

I have been teaching in New Orleans and expanding my studio for over four years. I love to meet my students where they are, push them to be the best musician they can be, and support them in achieving their goals. One way I do that is through asking them challenging questions that require them to apply previous concepts we've learned and reasoning. Another way is training students to use the metronome early on. Read More

Instruments: Cello

At the bare minimum, there are four skills that one must become adept in in order to play cello. 1) Proper body movement and coordination 2) Left hand technique (the hand which determines the notes on the instrument) 3) Right hand technique (the hand which manipulates the bow and produces sound) 4) A basic grasp of music theory Every student of mine will be trained in the classical sense, and learn some classical repertoire, because classical technique on the cello is the foundation for any other style the student would like to perform. Read More

Instruments: Piano Guitar Violin Viola Drums Bass Guitar Electric Violin Fiddle Latin Percussion Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I believe in teaching people to be true musicians and tap into their own creative spirits, not just to be technicians at the mercy of what's written for them. With that said, I take a balanced approached between learning traditional fundamentals and some of my own more philosophical approach, drawing on metaphors and analagous experiences to help frame this learning experience in ways the student can relate and understand. I call this The Art of Practice, which you'll be able to apply elsewhere in your life as well. Read More

Instruments: Violin Viola

For other students, on the other hand, my focus may lie on the historical and contextual elements of the repertoire, with special attention to composer's’ markings and their consequent effects on the student’s choice of phrasing, sound and vibrato. While I believe that a solid practice routine that combines basics and scales is vital for the constant improvement of the player’s overall skills, technical issues regarding bow distribution, smooth string crossing, shifting, left-hand articulation, vibrato, and tone production may also be dealt with in accordance to the repertoire. Read More