Music Lessons in North Greece, NY

Instruments: Clarinet

I have experience with teaching all ages and demographics, and I enjoy teaching a diversity of students. Please don't hesitate to reach out about taking clarinet lessons with me. I am an encouraging and fun teacher who caters my teaching style to the needs of the student, and I work with students to accomplish long term and short term goals. I have extensive knowledge of solo and ensemble repertoire and method books. Read More

Instruments: Piano Voice

I think it's important for students to learn from all styles of music; but if they enjoy one style in particular, I believe it's important to study this style with them and help them to improve upon it. I love understanding what makes each individual unique; so I really listen to them and design a curriculum based on their likes; challenging them to appreciate all styles of music; and encouraging them to become fluent in various genres, time periods and methods. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Bass Guitar Banjo Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

For beginning children, I typically like to use the Alfred series of beginner books depending on the instrument. I also like the students to rely on their ears just as equally, so the other half of the lesson is usually dedicated to learning music without relying on reading music. Of course, this is all dependent on the student's needs or prior experience. More importantly, I want to teach the student what they are truly interested in with music, and I have plenty of material to discuss if they are unsure of this interest. Read More

Instruments: Piano Guitar Voice Trumpet Drums Organ Synthesizer Recorder Euphonium Mallet Percussion Orchestral Percussion Conga Latin Percussion Acoustic Guitar

I craft a music program based on every individual's strenght, weakness and most important: interests. Having taught music in public schools for over 30 years, I am familiar with almost every pedagogical method. Whether it is Suzuki, Gordon, Kodaly, Orff or Barry Harris, I draw from all the methodology to help all students reach their comfort zones. I will also teach how to practice your instrument-something that is often neglected. Most important,I can teach how to actively listen to music. Read More

Instruments: Saxophone Flute Clarinet

I aim to keep instruction individualized while working on technique, reading ability, practice techniques, tuning, mindset, lesson book/etudes and solo repertoire. Beginners: Simple scales and arpeggios, lesson book, internalized counting, pulse, knowing counting internally, simple solo repertoire, listening to examples of solo repertoire, practice habits Intermediate: Full range scales, lesson book, rhythmic consistency, counting internally, solo repertoire, listening, practice habits, practicing incrementally Advanced: Full range scales and 3rds, even rhythmic flow, counting internally, use of metronome, listening, effective practice mindset and techniques College level - I teach at UNT and Richland College Read More

Instruments: Piano Trombone Music Keyboard

When teaching students I always create custom lesson plans and materials. Every student is unique, so why should all lessons look the same! In the first few classes, I focus on finding what kind of music my student is passionate about, and what methods of instruction works best for them. Then, week by week, I work on technique and technical fundamentals in a way that is closely related to the music we are looking at. Read More

Instruments: Piano Guitar Music Keyboard Acoustic Guitar

Playing with one hand first, then the other, then using both hands. Working on rhythm and coordination follows that. For students that are in the intermediate-advanced stage, how the lessons go really depends on what the student's goals are and what they want to focus on. I have a lot of music theory knowledge and compositional skills, I can teach active listening, playing by ear, composition itself, improvising, arpeggios with fingerings, altered scales, hybrid structures of chords, tritone substitutions, voice leading, inner harmony, soloing, phrasing, and comping. Read More