Music Lessons in Turtle Bay, NY

Instruments: Piano Guitar Trumpet Trombone Saxophone Bass Guitar Synthesizer Accordion Ukulele Euphonium French Horn Tuba Keyboard Electric Guitar Acoustic Guitar

Hi! I'm Steven, a multi-instrumentalist teacher and performer located in New York City! I hold a Master's in Music Education from New York University and a Bachelor's in trumpet and tuba performance from NYU as well. I've spent my entire life dedicated to creating, collaborating, and performing music, all while keeping many students. I've been an active performer in rock, jazz, R&B, funk, soul, classical, new music, studio, and musical theater groups for more than a decade, learning from some of the finest players and teachers around. Read More

Instruments: Piano Saxophone Clarinet Synthesizer Music

I like to have students move at their own pace. I would work with each student and learn their strengths and weaknesses in regards to playing their instrument, and use that knowledge to help guide them along during the lessons and in what work or etudes I give them to practice in between each lesson. For example, if a beginner student is struggling with the fundamentals of music or their instrument, I might spend more time on that to make them more comfortable with the fundamentals. Read More

Instruments: Drums Orchestral Percussion Conga Latin Percussion

I offer a personalized approach to learning the drums, and customize the layout of my curriculum to meet each student's specific needs. I use many traditional teaching methods, and incorporate them into lessons, including: Bower System Moeller Stroke Stone Method (Stick Control) Reed Method (Syncopation) Chapin Method In lessons, we focus on technique, fundamentals, and grasping the basic elements of the instructional material. It is up to students to continue practicing diligently and consistently between lessons to advance their skills. Read More

Instruments: Piano Voice Trumpet Trombone Saxophone Clarinet Drums Recorder Euphonium Tuba Keyboard

As a performing professional Musician who is continually learning, I would like to pass-on what I have gained throughout numerous years of Musical experiences. Having graduated with degrees from Manhattan School of Music, and from The Juilliard School, I "incorporate" Music Theory, Sight-reading and Ear Training as essential dimensions of my lessons, with the addition of playing Duets. Having performed under the direction of the world's most renown conductors [including Leanard Bernstein] and with Musicians, along with having studied with the finest instrumentalists are highlights of my career, along with having played Principal Trombone in the Norwalk Symphony for more than 16 years, having substituted on Broadway, and traveled with two International touring companys' Broadway Show productions. Read More

Instruments: Cello

I aim to tailor my lesson plans to each students unique goals. The methods I use differ based on each persons aspirations and learning habits. I believe that the cello can be a beneficial addition to anyones life, whether it is being played for recreation/therapy, to explore and enjoy great music, or to challenge oneself and build discipline through rigorous practice. I like to use the first few Suzuki and Schroeder books for complete beginners to introduce basic bowing and intonation concepts while building confidence with the cello. Read More

Instruments: Violin

I have been teaching for almost 20 years and have taught people as young as four years old to amateur adults, as well as from beginners to highly advanced pre-conservatory students, and people from all different backgrounds. Music is such a personal journey for each person, and my teaching philosophy is centered around what the student needs and wants. My ideal student is one who shows a daily devotion to the strengthening of necessary muscle groups, to students who are eager to learn and to try new things, and students who are motivated to accomplish goals that we set together! Read More

Instruments: Drums

I draw attention to the importance of listening and help the student identify what to listen for. There is nothing more frustrating than practicing a particular fill 1000 times, only to later realize you've been practicing it incorrectly. This is very common among drummers young and old, but is easily dealt with by simply cultivating a sense of listening and apt imitation. However, I do not endorse perfectionism as a means of effective learning either, and I also will remind the student of the fact that sometimes when you're jamming,even if what what you're playing is not perfect, it's "good enough for rock and roll." This is part of the attitude of rock and roll that I feel is conducive to better, faster learning: a willingness to make mistakes, acknowledge them, learn from them, and move on. Read More