312-789-4185
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25 Years
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312-789-4185
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Here are just a few of the many teachers offering Piano lessons in Chicago . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano
For beginning students who are children, I typically start with Bastien Piano Basics, Faber Piano Adventures, Alfred's Basic Piano Library etc. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More
Instruments: Piano Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion
As I mentioned previously, I find it very important that every student be approached from an individual, customized standpoint. However, I do find it important that every student has a strong basis in fundamentals and sound quality so that they have a strong foundation which they can then build upon. For beginning students, I will typically start them with rudiments and eventually work them into a mix of published and improvised solos to foster both technical progress and artistic creativity. Read More
Instruments: Piano
I'm a passionate instructor who thoroughly loves bringing the gift and love of music alive in students. In 2017 I had graduated with my Fine Arts in Music degree at Mchenry County College. I enjoy discovering the new sounds in music and writing when inspired. Currently I am apart of a worship team at my church and I play keyboard but I find I play mostly without sheet music. I love adding my own touch to what I am hearing and simply play from my heart. Read More
Instruments: Piano Voice Trumpet Trombone Euphonium Tuba Music Keyboard
I want my students to find enjoyment and purpose from making music first and foremost. Every student has a unique set of skills, and not every student learns the same way. I believe that something valuable can be learned from any single piece of music. Etude books, like Voxman's Selected Studies, and Rochut's Melodious Etudes are my go to for daily practice, but are not the only option available. I like to take a pragmatic approach to teaching, and will modify any exercises and routines as needed to get the best result from each student. Read More
Instruments: Piano
I have been teaching piano lessons for over a decade. I have held private studios in Seattle, WA, Wheaton, IL, Bloomington, IN, and now in the Torrance, CA area as well as taught group lessons, taught at the YaGe Community Arts School in Kunming, China, and taught at the Joe Ferrante Music Academy in Monrovia. I have extensive experience teaching the full gamut of the classical repertoire, traditional and contemporary jazz, pop, RB, and rock. Read More
Instruments: Piano Guitar Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Double Bass Euphonium French Horn Tuba Mallet Percussion Orchestral Percussion Oboe Bassoon
For beginning students, I typically start with Hal Leanord's Essential Elements. Once the student has a grasp of their instrment and the fundamentals, I will begin to introduce solo repertoire and tecnique exercises. I will try to find out what the student is interested in to help guide my instruction and keep the lessons engaging and fun, no matter the age or ability level. Read More
Instruments: Piano
I require my students to put in the work to make these lessons a worthwhile investment, but I think the most important thing is to retain the joy of taking piano lessons. I don't want practice to feel forced, however I do think there is a certain amount of will power that goes along with learning a skill. Therefore, I require students to do a time minimum of practice appropriate for the age and skill level. Read More
Instruments: Piano Organ
How do I know if my child is ready to start lessons?
I generally audition a student and have them either sight read a composition or play something they have done in the past. Afterwards, we talk about basic musicianship and technique requirements. The student needs to know something about a composer and why that composer composed in a certain style, the period the composition was composed, and a brief analysis of what's happening in the music. If there is a specific theme that is worth mentioning, I will have the student give me their ideas and why a particular composer chose that theme.
When will I start to see results?
I recommend that a beginning student take at least three months to see how they like the piano and give them a chance to explore diverse styles. Not every beginning student will aspire to be a classically trained pianist. You may have someone who likes popular, rock and roll, jazz, and even the more contemporary. Three months is a fairly good indicator if a student likes what they are doing and plan to continue. Piano competitions are encouraged as part of their educational development and this is set up by age levels in communities.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I had two piano teachers in music that inspired me years ago when I started in music school. Before starting college, a lady at my home church in West Virginia prepared me for my audition at West Virginia University before finishing high school. I memorized and played the "Sonata Pathetique" by Beethoven which I did all three movements of the work. The entire music department at the university heard my audition and afterwards was told my artistry was wonderful and that came from Herman Godes who was my principal teacher.
Why did you choose your primary instrument?
It was my mother who encouraged me to learn the piano which began at age 6. Besides playing the keyboard, I was a gifted singer as well and received voice instruction in a local boys choir and did that until age 14. All through junior high and high school, I was selected as an accompanist for the choirs and received the musicianship award upon graduation from high school. Then through my college years, I was fortunate to study with some of the finest teachers in the world who were world class artists.
What advice do you have about practicing effectively?
Spend at least 30 minutes a day for small children focusing on technique, sight reading, simple solo pieces, and basic fundamental theory. For more intermediate and advanced, anywhere from 45 minutes to 1 hour. I remind students not to focus on too much at one time. Divide up the session into segments and spend most of the practice on styles and techniques.
Occasionally, I may introduce a recording of a piece and have the student listen and then give me feedback on what they heard and how it should be analyzed.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Chicago to students of all ages and abilities.
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