Voice Lessons in Brooklyn, WI

Instruments: Voice

My teaching is rooted in the philosophy of functional singing, which means everything I teach has a purpose rooted in the physiology of singing. We do a lot of different exercises and say a lot of funny sounding words, but each exercise is carefully crafted to maximize training your voice's flexibility, agility, or strength. Similar to how you might do a bicep curl to make your bicep stronger, vocal exercises are part of a broader "vocal workout" regimen based on what your voice needs on any given day. Read More

Instruments: Piano Guitar Voice Organ Music Keyboard Acoustic Guitar

Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, an exceptional voiceleaving audiences cheering" with his performances being, ardent and utterly convincing." The New York Sun said of his stage craft: Ray C. makes the most of it, combining savvy stage business with a warm voiceexpertly straddling that razor thin line between parody and poignancyscored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General Co Artistic Director), the Light Opera Company Of Salisbury (General Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center. Read More

Instruments: Piano Voice Synthesizer Keyboard

For piano, I use the Faber, Snell, Alfred and Marlais methods to the end of Level 6. These would include a lesson, technique, theory and performance books. Dozen a Day is included along with Czerny and Hanon in later levels. For voice, the younger students use Patterns of Sound, with scales, theory, performance and diaphragm exercise are included. Older students start with the the Liebling lesson book after a scale testing is done to see what range they sing in. Read More

Instruments: Piano Voice

I began teaching voice during my undergraduate college years. Since then, I have taught both in-studio and in-home lessons. My students have consistently received high honors in solo and ensemble performances, as well as singing, leads in school and area productions. My piano students develop good beginning technique and theory skills that help prepare them as they move into the advanced repertoire. Both my piano and voice students perform in competitions regularly. Read More

Instruments: Piano Voice Trombone Euphonium Tuba Keyboard

It's important to make sure that my students are both enjoying their lessons and learning. I use short games and activities to keep my younger students excited about lessons and so they don't get overloaded during lessons with a ton of information. I enjoy teaching my students how to set and adjust goals for themselves so they know what they're working towards. I try to keep what I do relevant to what my students want to learn; Read More

Instruments: Piano Guitar Voice Drums Bass Guitar Keyboard Djembe Acoustic Guitar

As a member of an indie rock band, I understand the importance of being able to play songs on your instrument as quickly as possible! With this in mind, my lesson plan focuses primarily on breaking down songs that we want to learn how to play into their fundamental parts; the chords, the grooves, the fills, what-have-you, until we can put it all together. If there's a song that's particularly difficult and requires sound fundamentals, then we'll pound out those skills until we can get the results we want. Read More

Instruments: Piano Voice

Modern vocal pedagogy informs my teaching methods. By finding balance in air flow, phonation and resonance, the development of the voice is promoted in a healthy manner. Once this balance is consistent, a singer is capable of communicating more clearly and effectively. I encourage students to delve into a variety of genres, languages, characters, and challenges. I cater to each student's expectations in taking lessons, as well as their individual technical, musical, and performing needs. Read More